Translators' introduction 1. 'New Music' as historical category 2. Progress and the avant garde 3. Avant garde and popularity 4. New Music and the problem of musical genre 5. Problems of rhythm in the New Music 6. Tonality: structure or process? 7. Schoenberg's poetics of music 8. Schoenberg's aesthetic theology 9. Schoenberg and programme music 10. Musical prose 11. Emancipation of the dissonance 12. What is 'developing variation'? 13. Schoenberg and Schenker 14. Schoenberg's Orchestral Piece Op. 16, No. 3 and the concept of Klangfarbenmelodie 15. 'The Obbligato Recitative' 16. Expressive principle and orchestral polyphony in Schoenberg's Erwartung 17. Schoenberg's late works 18. The fugue as prelude: Schoenberg's Genesis composition, Op. 44 19. Rhythmic structures in Webern's Orchestral Pieces, Op. 6 20. Analytical instrumentation: Bach's six-part ricercar as orchestrated by Anton Webern 21. Schreker and modernism: on the dramaturgy of Der ferne Klang 22. Structure and expression in the music of Scriabin 23. Plea for a Romantic category: the concept of the work of art in the newest music 24. On the decline of the concept of the musical work 25. The musical work of art as a subject of sociology 26. Form Translated by Stephen Hinton 27. Composition and improvisation 28. A rejection of material thinking? Notes List of sources Index.
Translators' introduction 1. 'New Music' as historical category 2. Progress and the avant garde 3. Avant garde and popularity 4. New Music and the problem of musical genre 5. Problems of rhythm in the New Music 6. Tonality: structure or process? 7. Schoenberg's poetics of music 8. Schoenberg's aesthetic theology 9. Schoenberg and programme music 10. Musical prose 11. Emancipation of the dissonance 12. What is 'developing variation'? 13. Schoenberg and Schenker 14. Schoenberg's Orchestral Piece Op. 16, No. 3 and the concept of Klangfarbenmelodie 15. 'The Obbligato Recitative' 16. Expressive principle and orchestral polyphony in Schoenberg's Erwartung 17. Schoenberg's late works 18. The fugue as prelude: Schoenberg's Genesis composition, Op. 44 19. Rhythmic structures in Webern's Orchestral Pieces, Op. 6 20. Analytical instrumentation: Bach's six-part ricercar as orchestrated by Anton Webern 21. Schreker and modernism: on the dramaturgy of Der ferne Klang 22. Structure and expression in the music of Scriabin 23. Plea for a Romantic category: the concept of the work of art in the newest music 24. On the decline of the concept of the musical work 25. The musical work of art as a subject of sociology 26. Form Translated by Stephen Hinton 27. Composition and improvisation 28. A rejection of material thinking? Notes List of sources Index.
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