Chon A. Noriega, Maya Montańez Smukle, Nicole UcedoCinematic Futures, Global Imaginaries
Science Fiction Against the Margins
Cinematic Futures, Global Imaginaries
Herausgeber: Noriega, Chon A; Ucedo, Nicole; Montañez Smukler, Maya
Chon A. Noriega, Maya Montańez Smukle, Nicole UcedoCinematic Futures, Global Imaginaries
Science Fiction Against the Margins
Cinematic Futures, Global Imaginaries
Herausgeber: Noriega, Chon A; Ucedo, Nicole; Montañez Smukler, Maya
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Explores independently produced media that uses science fiction to address societal and political issues Today the genre of science fiction is widely associated with big-budget American films featuring space invaders and lab-made monsters.
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Explores independently produced media that uses science fiction to address societal and political issues Today the genre of science fiction is widely associated with big-budget American films featuring space invaders and lab-made monsters.
Produktdetails
- Produktdetails
- Verlag: UCLA Chicano Studies Research Center Press
- Seitenzahl: 456
- Erscheinungstermin: 17. Juni 2025
- Englisch
- Abmessung: 224mm x 150mm x 32mm
- Gewicht: 772g
- ISBN-13: 9780895512086
- ISBN-10: 0895512084
- Artikelnr.: 70626281
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: UCLA Chicano Studies Research Center Press
- Seitenzahl: 456
- Erscheinungstermin: 17. Juni 2025
- Englisch
- Abmessung: 224mm x 150mm x 32mm
- Gewicht: 772g
- ISBN-13: 9780895512086
- ISBN-10: 0895512084
- Artikelnr.: 70626281
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Chon Noriega is a distinguished professor in the UCLA Department of Film, Television, and Digital Media. He is author of Shot in America: Television, the State, and the Rise of Chicano Cinema and coauthor of Home—So Different, So Appealing. Maya Montañez Smukler is head of the UCLA Film and Television Archive Research and Study Center. Her book Liberating Hollywood: Women Directors and the Feminist Reform of 1970s American Cinema received the Theater Library Association's Richard Wall Memorial Award. Nicole Ucedo is programing coordinator at the UCLA Film and Television Archive and research and curatorial assistant on the archive's Science Fiction against the Margins project. She is an educator and filmmaker based in Los Angeles.
Foreword by May Hong HaDuong
Acknowledgements
Introduction
1. Space Overture and Chorizo Coda: An Introduction against the Margins, by
Chon Noriega
Part I: Outer Space/Out of Space
2. Los Angeles Sci-Fi Noir: The Bradbury Building and Its (Hidden) Latinx
Contexts, by Veronica Paredes
3. Men into Space and the Spaces of Postwar TV Sci-Fi, by Shawn VanCour
4. Space is the Place: Black Cinema in Search of Speculative Fictions, by
Ewa Drygalska
5. Surface, Subterrain, Sea: The Volumetric Imagination in Recent
Singaporean Science Fiction, by Jasmine Nadua Trice
Part II: Imagining Violent Worlds
6. La jetée in Historical Time: Torture, Visuality, Displacement, by
Matthew Croombs
7. Remembering the Disappeared: Science Fiction Film in Postdictatorship
Argentina, by Everett Hamner
8. Zoom Out: Queer Apocalpyse in The Second Coming, by Amy Villarejo
9. Shadows in the Valley: The In/visible Iconography and Toxic Legacy of
Computation, by Steve F. Anderson
Part III: Remembering the Future
10. Last Angel of History: Research, Writing, Performance, by Edward George
11. Black Futurist Imaginaries, by Shelleen Greene
12. "Jerusalem, We Have a Problem": Larissa Sansour's Sci-Fi Trilogy and
the Impetus of Dystopic Imagination, by Gil Hochberg
Part IV: Crossing Borders and Time
13. Octavia Butler's Kindred: Adaptation, Appropriation, Disposession, by
Kathleen McHugh
14. Ofelia's Kiss: Racing the Sticky Fingers of Time, by Frances
Negrón-Muntaner
15. The Scar and the Node: Border Science Fiction and the Mis-en-scène of
Globalized Labor, by Sarah Ann Wells
16. Queering Asian-American Science Fiction Cinema: From The Mysterious Dr.
Fu Manchu to Everything Everywhere All at Once, by Sean Metzger
Bibliography
Contributors
Illustration Credits
Index
Acknowledgements
Introduction
1. Space Overture and Chorizo Coda: An Introduction against the Margins, by
Chon Noriega
Part I: Outer Space/Out of Space
2. Los Angeles Sci-Fi Noir: The Bradbury Building and Its (Hidden) Latinx
Contexts, by Veronica Paredes
3. Men into Space and the Spaces of Postwar TV Sci-Fi, by Shawn VanCour
4. Space is the Place: Black Cinema in Search of Speculative Fictions, by
Ewa Drygalska
5. Surface, Subterrain, Sea: The Volumetric Imagination in Recent
Singaporean Science Fiction, by Jasmine Nadua Trice
Part II: Imagining Violent Worlds
6. La jetée in Historical Time: Torture, Visuality, Displacement, by
Matthew Croombs
7. Remembering the Disappeared: Science Fiction Film in Postdictatorship
Argentina, by Everett Hamner
8. Zoom Out: Queer Apocalpyse in The Second Coming, by Amy Villarejo
9. Shadows in the Valley: The In/visible Iconography and Toxic Legacy of
Computation, by Steve F. Anderson
Part III: Remembering the Future
10. Last Angel of History: Research, Writing, Performance, by Edward George
11. Black Futurist Imaginaries, by Shelleen Greene
12. "Jerusalem, We Have a Problem": Larissa Sansour's Sci-Fi Trilogy and
the Impetus of Dystopic Imagination, by Gil Hochberg
Part IV: Crossing Borders and Time
13. Octavia Butler's Kindred: Adaptation, Appropriation, Disposession, by
Kathleen McHugh
14. Ofelia's Kiss: Racing the Sticky Fingers of Time, by Frances
Negrón-Muntaner
15. The Scar and the Node: Border Science Fiction and the Mis-en-scène of
Globalized Labor, by Sarah Ann Wells
16. Queering Asian-American Science Fiction Cinema: From The Mysterious Dr.
Fu Manchu to Everything Everywhere All at Once, by Sean Metzger
Bibliography
Contributors
Illustration Credits
Index
Foreword by May Hong HaDuong
Acknowledgements
Introduction
1. Space Overture and Chorizo Coda: An Introduction against the Margins, by
Chon Noriega
Part I: Outer Space/Out of Space
2. Los Angeles Sci-Fi Noir: The Bradbury Building and Its (Hidden) Latinx
Contexts, by Veronica Paredes
3. Men into Space and the Spaces of Postwar TV Sci-Fi, by Shawn VanCour
4. Space is the Place: Black Cinema in Search of Speculative Fictions, by
Ewa Drygalska
5. Surface, Subterrain, Sea: The Volumetric Imagination in Recent
Singaporean Science Fiction, by Jasmine Nadua Trice
Part II: Imagining Violent Worlds
6. La jetée in Historical Time: Torture, Visuality, Displacement, by
Matthew Croombs
7. Remembering the Disappeared: Science Fiction Film in Postdictatorship
Argentina, by Everett Hamner
8. Zoom Out: Queer Apocalpyse in The Second Coming, by Amy Villarejo
9. Shadows in the Valley: The In/visible Iconography and Toxic Legacy of
Computation, by Steve F. Anderson
Part III: Remembering the Future
10. Last Angel of History: Research, Writing, Performance, by Edward George
11. Black Futurist Imaginaries, by Shelleen Greene
12. "Jerusalem, We Have a Problem": Larissa Sansour's Sci-Fi Trilogy and
the Impetus of Dystopic Imagination, by Gil Hochberg
Part IV: Crossing Borders and Time
13. Octavia Butler's Kindred: Adaptation, Appropriation, Disposession, by
Kathleen McHugh
14. Ofelia's Kiss: Racing the Sticky Fingers of Time, by Frances
Negrón-Muntaner
15. The Scar and the Node: Border Science Fiction and the Mis-en-scène of
Globalized Labor, by Sarah Ann Wells
16. Queering Asian-American Science Fiction Cinema: From The Mysterious Dr.
Fu Manchu to Everything Everywhere All at Once, by Sean Metzger
Bibliography
Contributors
Illustration Credits
Index
Acknowledgements
Introduction
1. Space Overture and Chorizo Coda: An Introduction against the Margins, by
Chon Noriega
Part I: Outer Space/Out of Space
2. Los Angeles Sci-Fi Noir: The Bradbury Building and Its (Hidden) Latinx
Contexts, by Veronica Paredes
3. Men into Space and the Spaces of Postwar TV Sci-Fi, by Shawn VanCour
4. Space is the Place: Black Cinema in Search of Speculative Fictions, by
Ewa Drygalska
5. Surface, Subterrain, Sea: The Volumetric Imagination in Recent
Singaporean Science Fiction, by Jasmine Nadua Trice
Part II: Imagining Violent Worlds
6. La jetée in Historical Time: Torture, Visuality, Displacement, by
Matthew Croombs
7. Remembering the Disappeared: Science Fiction Film in Postdictatorship
Argentina, by Everett Hamner
8. Zoom Out: Queer Apocalpyse in The Second Coming, by Amy Villarejo
9. Shadows in the Valley: The In/visible Iconography and Toxic Legacy of
Computation, by Steve F. Anderson
Part III: Remembering the Future
10. Last Angel of History: Research, Writing, Performance, by Edward George
11. Black Futurist Imaginaries, by Shelleen Greene
12. "Jerusalem, We Have a Problem": Larissa Sansour's Sci-Fi Trilogy and
the Impetus of Dystopic Imagination, by Gil Hochberg
Part IV: Crossing Borders and Time
13. Octavia Butler's Kindred: Adaptation, Appropriation, Disposession, by
Kathleen McHugh
14. Ofelia's Kiss: Racing the Sticky Fingers of Time, by Frances
Negrón-Muntaner
15. The Scar and the Node: Border Science Fiction and the Mis-en-scène of
Globalized Labor, by Sarah Ann Wells
16. Queering Asian-American Science Fiction Cinema: From The Mysterious Dr.
Fu Manchu to Everything Everywhere All at Once, by Sean Metzger
Bibliography
Contributors
Illustration Credits
Index







