Sculpture Workshops as Space and Concept
Creating the Portrait
Herausgeber: Fejfer, Jane; Johannsen, Kristine Bøggild
Sculpture Workshops as Space and Concept
Creating the Portrait
Herausgeber: Fejfer, Jane; Johannsen, Kristine Bøggild
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This book explores the multifaceted aspects of sculptor's workshops from the Renaissance to the early nineteenth century.
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This book explores the multifaceted aspects of sculptor's workshops from the Renaissance to the early nineteenth century.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 190
- Erscheinungstermin: 7. Oktober 2024
- Englisch
- Abmessung: 246mm x 174mm x 10mm
- Gewicht: 327g
- ISBN-13: 9781032227894
- ISBN-10: 1032227893
- Artikelnr.: 71670503
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 190
- Erscheinungstermin: 7. Oktober 2024
- Englisch
- Abmessung: 246mm x 174mm x 10mm
- Gewicht: 327g
- ISBN-13: 9781032227894
- ISBN-10: 1032227893
- Artikelnr.: 71670503
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Jane Fejfer is Associate Professor at The Saxo Institute, University of Copenhagen. Kristine Bøggild Johannsen is Curator at the Thorvaldsens Museum, Copenhagen.
1. Introduction
Jane Fejfer and Kristine Bøggild Johannsen
2. The Absent Center: Donatello in the Workshop
Daniel Zolli
3. Ambiguous Narratives of Making. Some Questions about the Workshop
Practices of Eighteenth-Century British Sculptors
Malcolm Baker
4. More than Gossip and less than Monuments. Forms of Ambition in the 1790s
and early 1800s Roman Bust Head
Tomas Macotay
5. Master and Servant. Canova's Workshop and the Formation of Sculptural
Autonomy
Johannes Myssok
6. Likeness, Ideality, and Equality. On Thorvaldsen's Portrait Busts and
His Workshop Practice
Kira Kofoed
7. The Final Touch. On Thorvaldsen's Marble Surfaces
Amalie Skovmøller
8. Female Patronages: The Unstable Beginnings of Christian Daniel Rauch as
a Portrait Sculptor in Berlin, Rome and Carrara
Astrid Fendt
Jane Fejfer and Kristine Bøggild Johannsen
2. The Absent Center: Donatello in the Workshop
Daniel Zolli
3. Ambiguous Narratives of Making. Some Questions about the Workshop
Practices of Eighteenth-Century British Sculptors
Malcolm Baker
4. More than Gossip and less than Monuments. Forms of Ambition in the 1790s
and early 1800s Roman Bust Head
Tomas Macotay
5. Master and Servant. Canova's Workshop and the Formation of Sculptural
Autonomy
Johannes Myssok
6. Likeness, Ideality, and Equality. On Thorvaldsen's Portrait Busts and
His Workshop Practice
Kira Kofoed
7. The Final Touch. On Thorvaldsen's Marble Surfaces
Amalie Skovmøller
8. Female Patronages: The Unstable Beginnings of Christian Daniel Rauch as
a Portrait Sculptor in Berlin, Rome and Carrara
Astrid Fendt
1. Introduction
Jane Fejfer and Kristine Bøggild Johannsen
2. The Absent Center: Donatello in the Workshop
Daniel Zolli
3. Ambiguous Narratives of Making. Some Questions about the Workshop
Practices of Eighteenth-Century British Sculptors
Malcolm Baker
4. More than Gossip and less than Monuments. Forms of Ambition in the 1790s
and early 1800s Roman Bust Head
Tomas Macotay
5. Master and Servant. Canova's Workshop and the Formation of Sculptural
Autonomy
Johannes Myssok
6. Likeness, Ideality, and Equality. On Thorvaldsen's Portrait Busts and
His Workshop Practice
Kira Kofoed
7. The Final Touch. On Thorvaldsen's Marble Surfaces
Amalie Skovmøller
8. Female Patronages: The Unstable Beginnings of Christian Daniel Rauch as
a Portrait Sculptor in Berlin, Rome and Carrara
Astrid Fendt
Jane Fejfer and Kristine Bøggild Johannsen
2. The Absent Center: Donatello in the Workshop
Daniel Zolli
3. Ambiguous Narratives of Making. Some Questions about the Workshop
Practices of Eighteenth-Century British Sculptors
Malcolm Baker
4. More than Gossip and less than Monuments. Forms of Ambition in the 1790s
and early 1800s Roman Bust Head
Tomas Macotay
5. Master and Servant. Canova's Workshop and the Formation of Sculptural
Autonomy
Johannes Myssok
6. Likeness, Ideality, and Equality. On Thorvaldsen's Portrait Busts and
His Workshop Practice
Kira Kofoed
7. The Final Touch. On Thorvaldsen's Marble Surfaces
Amalie Skovmøller
8. Female Patronages: The Unstable Beginnings of Christian Daniel Rauch as
a Portrait Sculptor in Berlin, Rome and Carrara
Astrid Fendt







