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In Sea Table Kelvin Corcoran brings to all back home. Not that it was ever very far away, but for twenty years or more he has been writing a lot of poetry concerning Greece and may have gained a reputation as a specialist or travel-writing poet, both of which would be wrong. Greece, both place and stories, was a lens onto our present condition and its depths, and through that focus he developed an essentially lyrical (meaning 'unshamedly poetry') field as the basis for a move towards larger forms: monologue and narrative, neither merely transcribed but re-invented every time from a literal…mehr

Produktbeschreibung
In Sea Table Kelvin Corcoran brings to all back home. Not that it was ever very far away, but for twenty years or more he has been writing a lot of poetry concerning Greece and may have gained a reputation as a specialist or travel-writing poet, both of which would be wrong. Greece, both place and stories, was a lens onto our present condition and its depths, and through that focus he developed an essentially lyrical (meaning 'unshamedly poetry') field as the basis for a move towards larger forms: monologue and narrative, neither merely transcribed but re-invented every time from a literal rendering of the life and the materials. The four substantial sets in this book bring these extended skills to work on a range of subjects: a personal health crisis and recovery told as an underground descent and the return to intellectual light; a light-hearted musical prance around various poets; a rhapsodic rendering of the story of Glen Gould... And the last, the title-set, "Sea Table", which re-engages Greece in a substantial and remarkably sustained and eloquent sequence, a multiplied poetical narrative of sea voyage and trading venture coming through difficult and easy seas back to the home it started from, which the present tense and the archaic past inhabit in harmony. - Peter Riley
Autorenporträt
Kelvin Corcoran was born in 1956. He is the author of fifteen full collections of poetry, the most recent of which is Sea Table. In addition he has interviewed Lee Harwood for the volume Not the Full Story: Six Interviews with Lee Harwood, published in June 2008. He has read extensively in the UK and also in Germany, Belgium and Ireland and accompanied travelling Arts Council exhibitions reading poetry written in response to the work of contemporary painters and sculptors. Three extended interviews with him can be found in The Writing Occurs As Song: A Kelvin Corcoran Reader, the first full-length study of his work, edited by Andy Brown and published by Shearsman in 2014.