Paxton, while trying to get clearance to return to work, calls his physio to ask why he's refusing to sign off on his documents-only to hear gunfire through the phone, killing the man he was talking too. Racing to the scene, he finds the gunman still there, in anguish and in fury, telling Paxton a tale of blackmail and fraud, before killing himself. Hearing the same phone conversation that Paxton made while in her office, Cherise races behind to make sure he's okay, as the police move in. Standing together at the scene of the crime, however, puts them both in the target zone, as someone tries…mehr
Paxton, while trying to get clearance to return to work, calls his physio to ask why he's refusing to sign off on his documents-only to hear gunfire through the phone, killing the man he was talking too. Racing to the scene, he finds the gunman still there, in anguish and in fury, telling Paxton a tale of blackmail and fraud, before killing himself. Hearing the same phone conversation that Paxton made while in her office, Cherise races behind to make sure he's okay, as the police move in. Standing together at the scene of the crime, however, puts them both in the target zone, as someone tries to keep the details of the blackmail a secret. Trying to keep Cherise and himself safe, while unravelling the rot going on under the surface, Paxton realizes just how personal this case has become ...
Hey there. I'm a Canadian USA Today best-selling author, and I love writing for everyone-whether you're young, old, or somewhere in between. My books? Well, they're a mixed bag. Some are steamy, some are sweet, and a few might have you sleeping with the lights on. Others are perfect for snuggling up with.I've never been one to color inside the lines or stick to a single path. I embrace the wild stories that pop into my head, even if they break the rules and dance across genres. A few years ago, I switched to dictating my stories because my fingers were starting to feel the impact of my steady 10,000 words a day. Dictating is linear, so it silences my internal editor. You can't stop to ensure something is perfect or to see what needs changing-you must continue onward. This approach has allowed me to let my muse take the lead and to feel the story pour from my heart. My mind steps in during the editing process, but, until then, it's all about letting the characters direct the story. That's why my stories have that existential feel of a Dale Mayer book.And you know what? That's totally okay with me.One thing's for sure: every book I write promises to be a great read, every single time.
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