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Examining Henri Bergson’s work, philosophy, and the body, this volume explores the history and philosophy of comedy, film, psychoanalysis and the comic performance of the future, creating a theoretical and practice-based framework for the field.

Produktbeschreibung
Examining Henri Bergson’s work, philosophy, and the body, this volume explores the history and philosophy of comedy, film, psychoanalysis and the comic performance of the future, creating a theoretical and practice-based framework for the field.
Autorenporträt
Josephine Gray is co-artistic director of Iraqi Bodies, a theatre group based in Gothenburg, Sweden, dedicated to exploring the links between movement and gesture, dance and physical theatre. Her experimental practice is anchored in the theory and method of Artaud, Grotowski, Ionesco and Beckett, among others. She trained at the École Internationale de Théâtre Jacques Lecoq in Paris and studied philosophy at Katholieke Universiteit Leuven and English literature at the University of Sheffield. Lisa Trahair teaches in film studies at the University of New South Wales, Australia. She is author of The Comedy of Philosophy: Sense and Nonsense in Early Cinematic Slapstick. She has published widely on film comedy and on the philosophy of comedy in journals devoted to film and the theoretical humanities and has co-edited several special issues of journals on the intersection of film and philosophy.