At last! The essential Michael Gottlieb in one volume. For decades, Gottlieb's publications and live readings have been accruing admirers from vanguardist writing communities nationwide. From his beginnings as a lexical atomicist to his later staged documentary pieces, this extensive collection will prove Gottlieb to be one of the most forensic poets of our time. Whether closely examining the radical uncertainty of privately lived phenomenon or tracking the nanomoments of accidental public encounters, these works brim with a wit and quirkiness that's sure to thrill browfurrowed scholars,…mehr
At last! The essential Michael Gottlieb in one volume. For decades, Gottlieb's publications and live readings have been accruing admirers from vanguardist writing communities nationwide. From his beginnings as a lexical atomicist to his later staged documentary pieces, this extensive collection will prove Gottlieb to be one of the most forensic poets of our time. Whether closely examining the radical uncertainty of privately lived phenomenon or tracking the nanomoments of accidental public encounters, these works brim with a wit and quirkiness that's sure to thrill browfurrowed scholars, roustabout flaneurs, and solitary text trippers in equal measure. Rodrigo Toscano
Michael Gottlieb is a poet and the author of twenty-one books. In addition to numerous collections of poetry, his published work also includes memoirs and essays. His most recent titles are MOSTLY CLEARING (Roof Books, 2019), WHAT WE DO: ESSAYS FOR POETS (Chax Press, 2016), I HAD EVERY INTENTION (Faux Press, 2014), DEAR ALL (Roof Books, 2013), Letters to A Middle Aged Poet (Otoliths, 2012), The Dust (Roof Books, 2011), MEMOIR AND ESSAY (Faux Press, 2010). A first- generation member of the Language Poetry school, he helped edit one of its foundational magazines, Roof. He was also the publisher of Case/Casement Books (1981-1999) and started the Last Tuesday multi-media performance series at La Mama in NYC in the 1980s. Several of his works have also been adapted for the stage, including excerpts from MOSTLY CLEARING, adapted by Genée Coreno and The Dust , his authoritative 9/11 poem which the dramatist Fiona Templeton staged at the St. Marks Poetry Project on the 10th anniversary of the attacks. In addition, in the fall of 2021, for the twentieth anniversary of 9/11, a new version of The Dust , directed by Genée Coreno was staged along with an adaptation of The Voices , also staged by Genée Coreno, both under the auspices of The Poetry Project.
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