Elsa Högberg is Research Fellow at the Department of English, Uppsala University. She is the author of Virginia Woolf and the Ethics of Intimacy (Bloomsbury Academic, 2020) and co-editor, with Amy Bromley, of Sentencing Orlando: Virginia Woolf and the Morphology of the Modernist Sentence (Edinburgh University Press, 2018). Amy Bromley is a PhD student at the University of Glasgow specialising in Virginia Woolf's short texts. She has published scholarly reviews and articles in The Journal of the Short Story in English, Virginia Woolf Miscellany and Glasgow Review of Books.
Inhaltsangabe
Introduction by Elsa Högberg and Amy Bromley 11 1. 'The Queen had come': Orgasm and Arrival Jane Goldman 30 2. 'Something intricate and many-chambered': Sexuality and the Embodied Sentence Anna Frøsig 53 3. Woolf, De Quincey and the Legacy of 'Impassioned Prose' Elsa Högberg 70 4. Rhythms of Revision and Revisiting: Unpicking the Past in Orlando Jane de Gay 87 5. 'Let us go, then, exploring': Intertextual Conversations on the Meaning of Life Sanja Bahun 104 6. '. . . and nothing whatever happened': Orlando's Continuous Eruptive Form Suzanne Bellamy 120 7. Orlando, Greece and the Impossible Landscape Vassiliki Kolocotroni 137 8. Orlando Famoso: Obscurity, Fame and History in Orlando Angeliki Spiropoulou 154 9. Bibliographic Parturition in Orlando: Books, Babies, Freedom, and Fame Alice Staveley 171 10. The Day of Orlando Bryony Randall 188 11. Satzdenken, Indeterminacy and the Polyvalent Audience Steven Putzel 203 12. In Amorous Dedication: The Phrase, the Figure and The Lover's Discourse Amy Bromley 219 13. A Spirit in Flux: Aestheticism, Evolution and Religion Todd Avery 235 14. Sir Thomas Browne and the Reading of Remains in Orlando Benjamin D. Hagen 253 15. The Negress and the Bishop: On Marriage, Colonialism and the Problem of Knowledge Randi Koppen 268 16. Orlando and the Politics of (In)Conclusiveness Judith Allen 284 Aftersentence by Rachel Bowlby
Introduction by Elsa Högberg and Amy Bromley 11 1. 'The Queen had come': Orgasm and Arrival Jane Goldman 30 2. 'Something intricate and many-chambered': Sexuality and the Embodied Sentence Anna Frøsig 53 3. Woolf, De Quincey and the Legacy of 'Impassioned Prose' Elsa Högberg 70 4. Rhythms of Revision and Revisiting: Unpicking the Past in Orlando Jane de Gay 87 5. 'Let us go, then, exploring': Intertextual Conversations on the Meaning of Life Sanja Bahun 104 6. '. . . and nothing whatever happened': Orlando's Continuous Eruptive Form Suzanne Bellamy 120 7. Orlando, Greece and the Impossible Landscape Vassiliki Kolocotroni 137 8. Orlando Famoso: Obscurity, Fame and History in Orlando Angeliki Spiropoulou 154 9. Bibliographic Parturition in Orlando: Books, Babies, Freedom, and Fame Alice Staveley 171 10. The Day of Orlando Bryony Randall 188 11. Satzdenken, Indeterminacy and the Polyvalent Audience Steven Putzel 203 12. In Amorous Dedication: The Phrase, the Figure and The Lover's Discourse Amy Bromley 219 13. A Spirit in Flux: Aestheticism, Evolution and Religion Todd Avery 235 14. Sir Thomas Browne and the Reading of Remains in Orlando Benjamin D. Hagen 253 15. The Negress and the Bishop: On Marriage, Colonialism and the Problem of Knowledge Randi Koppen 268 16. Orlando and the Politics of (In)Conclusiveness Judith Allen 284 Aftersentence by Rachel Bowlby
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