With his first glimpse of Madame Arnoux, Frà dà ric Moreau is convinced he has found his romantic destiny, but he is caught up in the revolution of 1848 and the attractions of three other women. Flaubert's portrait of an idealist in a disenchanted world influenced later modernists, and is here newly translated.
With his first glimpse of Madame Arnoux, Frà dà ric Moreau is convinced he has found his romantic destiny, but he is caught up in the revolution of 1848 and the attractions of three other women. Flaubert's portrait of an idealist in a disenchanted world influenced later modernists, and is here newly translated.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Helen Constantine was Head of Modern Languages at Bartholomew School near Oxford before retiring from teaching in 2000. She is now a full-time translator and editor. Her translations include Paris Tales (OUP, 2004), French Tales (OUP, 2008), Laclos, Dangerous Liaisons (Penguin, 2007), Gautier, Mademoiselle de Maupin (Penguin, 2005), and for Oxford World's Classics, Balzac, The Wild Ass's Skin (OUP, 2012) and Zola, The Conquest of Plassans (OUP, 2014) . From 2003-12 she was co-editor of the international magazine Modern Poetry in Translation. Patrick Coleman has taught at UCLA since 1975. He has published widely on French literature and his books include Anger, Gratitude, and the Enligtenment Writer (OUP, 2011). For Oxford World's Classics he has edited translations of Rousseau's Discourse on Inequality and Confessions, Constant's Adolphe, and Balzac's The Wild Ass's Skin.
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