- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Traces Dickens' interest in Shakespeare through his own reading and performance and through theatrical, literary and artistic sources.
Andere Kunden interessierten sich auch für
Valerie GagerShakespeare and Dickens118,99 €
Sadrin AnnyParentage and Inheritance in the Novels of Charles Dickens42,99 €
Claire WoodDickens and the Business of Death42,99 €
Andrew SmithDickens and the Gothic61,99 €
Charles Dickens in Context41,99 €
Hilary M. SchorDickens and the Daughter of the House110,99 €
Jon MeeThe Cambridge Introduction to Charles Dickens97,99 €-
-
-
Traces Dickens' interest in Shakespeare through his own reading and performance and through theatrical, literary and artistic sources.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 440
- Erscheinungstermin: 29. August 2006
- Englisch
- Abmessung: 234mm x 156mm x 24mm
- Gewicht: 664g
- ISBN-13: 9780521031516
- ISBN-10: 0521031516
- Artikelnr.: 22089265
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Cambridge University Press
- Seitenzahl: 440
- Erscheinungstermin: 29. August 2006
- Englisch
- Abmessung: 234mm x 156mm x 24mm
- Gewicht: 664g
- ISBN-13: 9780521031516
- ISBN-10: 0521031516
- Artikelnr.: 22089265
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
List of illustrations
Preface
A note on the text and acknowledgements
List of abbreviations
Introduction
Part I. 'A Shakespearean Lot': 1. 'Treading in the steps': early Shakespearean influences
2. 'At his tongue's end': Dickens's remarkable memory
3. 'Eloquent associations': W. C. Macready and Daniel Maclise
4. 'As if I had been another man': Dickens as actor-manager
5. 'The noblest of all dramatists': Dickens as theatre critic and editor
Part II. 'All the Removes and Definitions of Shakespeare's Touchstone': 6. 'Of imagination all compact': Dickens's aesthetic principles
7. Definition of critical concepts
8. Verbal 'fireworks': typical functions of Dickens's Shakespearean references
9. 'The web I have spun': Shakespeareana in Dombey and Son and David Copperfield
Part III. 'Signs and Tokens' of Shakespeare: Preface to the catalogue
Catalogue of Dickens's references to Shakespeare
Appendices
Bibliography
Index.
Preface
A note on the text and acknowledgements
List of abbreviations
Introduction
Part I. 'A Shakespearean Lot': 1. 'Treading in the steps': early Shakespearean influences
2. 'At his tongue's end': Dickens's remarkable memory
3. 'Eloquent associations': W. C. Macready and Daniel Maclise
4. 'As if I had been another man': Dickens as actor-manager
5. 'The noblest of all dramatists': Dickens as theatre critic and editor
Part II. 'All the Removes and Definitions of Shakespeare's Touchstone': 6. 'Of imagination all compact': Dickens's aesthetic principles
7. Definition of critical concepts
8. Verbal 'fireworks': typical functions of Dickens's Shakespearean references
9. 'The web I have spun': Shakespeareana in Dombey and Son and David Copperfield
Part III. 'Signs and Tokens' of Shakespeare: Preface to the catalogue
Catalogue of Dickens's references to Shakespeare
Appendices
Bibliography
Index.
List of illustrations
Preface
A note on the text and acknowledgements
List of abbreviations
Introduction
Part I. 'A Shakespearean Lot': 1. 'Treading in the steps': early Shakespearean influences
2. 'At his tongue's end': Dickens's remarkable memory
3. 'Eloquent associations': W. C. Macready and Daniel Maclise
4. 'As if I had been another man': Dickens as actor-manager
5. 'The noblest of all dramatists': Dickens as theatre critic and editor
Part II. 'All the Removes and Definitions of Shakespeare's Touchstone': 6. 'Of imagination all compact': Dickens's aesthetic principles
7. Definition of critical concepts
8. Verbal 'fireworks': typical functions of Dickens's Shakespearean references
9. 'The web I have spun': Shakespeareana in Dombey and Son and David Copperfield
Part III. 'Signs and Tokens' of Shakespeare: Preface to the catalogue
Catalogue of Dickens's references to Shakespeare
Appendices
Bibliography
Index.
Preface
A note on the text and acknowledgements
List of abbreviations
Introduction
Part I. 'A Shakespearean Lot': 1. 'Treading in the steps': early Shakespearean influences
2. 'At his tongue's end': Dickens's remarkable memory
3. 'Eloquent associations': W. C. Macready and Daniel Maclise
4. 'As if I had been another man': Dickens as actor-manager
5. 'The noblest of all dramatists': Dickens as theatre critic and editor
Part II. 'All the Removes and Definitions of Shakespeare's Touchstone': 6. 'Of imagination all compact': Dickens's aesthetic principles
7. Definition of critical concepts
8. Verbal 'fireworks': typical functions of Dickens's Shakespearean references
9. 'The web I have spun': Shakespeareana in Dombey and Son and David Copperfield
Part III. 'Signs and Tokens' of Shakespeare: Preface to the catalogue
Catalogue of Dickens's references to Shakespeare
Appendices
Bibliography
Index.







