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What makes a Shakespeare production political? Can Shakespeare's plays ever be truly radical? Revealing the unspoken politics of Shakespeare's plays on stage, Andrew Hartley examines their nature, agenda, limits and potential. In considering key theoretical issues, analysing a wide range of productions, and engaging in a collaborative debate with Professor Ayanna Thompson, Hartley highlights a more consciously political approach to making theatre out of Shakespeare's scripts - and to experiencing it as an audience. Dynamic and provocative, this book is a crucial text for students and theatre practitioners alike.…mehr

Produktbeschreibung
What makes a Shakespeare production political? Can Shakespeare's plays ever be truly radical? Revealing the unspoken politics of Shakespeare's plays on stage, Andrew Hartley examines their nature, agenda, limits and potential. In considering key theoretical issues, analysing a wide range of productions, and engaging in a collaborative debate with Professor Ayanna Thompson, Hartley highlights a more consciously political approach to making theatre out of Shakespeare's scripts - and to experiencing it as an audience. Dynamic and provocative, this book is a crucial text for students and theatre practitioners alike.
Autorenporträt
Andrew James Hartley is Emeritus Professor in the Department of Theatre, University of North Carolina, Charlotte, USA. He is the co-editor of Shakespeare and Geek Culture (The Arden Shakespeare, 2020), editor of Julius Caesar: A Critical Reader (The Arden Shakespeare, 2016), author of Shakespeare and Political Theatre in Practice (2013) and The Shakespearean Dramaturg (2005). He was the editor of the Shakespeare Bulletin for a decade, resident dramaturg for Georgia Shakespeare and is an honorary fellow of the University of Central Lancashire, UK.