Shakespeare and Textual Studies gathers contributions from the leading specialists in the fields of manuscript and textual studies, book history, editing, and digital humanities to provide a comprehensive reassessment of how manuscript, print and digital practices have shaped the body of works that we now call 'Shakespeare'. This cutting-edge collection identifies the legacies of previous theories and places special emphasis on the most recent developments in the editing of Shakespeare since the 'turn to materialism' in the late twentieth century. Providing a wide-ranging overview of current…mehr
Shakespeare and Textual Studies gathers contributions from the leading specialists in the fields of manuscript and textual studies, book history, editing, and digital humanities to provide a comprehensive reassessment of how manuscript, print and digital practices have shaped the body of works that we now call 'Shakespeare'. This cutting-edge collection identifies the legacies of previous theories and places special emphasis on the most recent developments in the editing of Shakespeare since the 'turn to materialism' in the late twentieth century. Providing a wide-ranging overview of current approaches and debates, the book explores Shakespeare's poems and plays in light of new evidence, engaging scholars, editors, and book historians in conversations about the recovery of early composition and publication, and the ongoing appropriation and transmission of Shakespeare's works through new technologies.
Introduction Margaret Jane Kidnie and Sonia Massai Part I. Scripts and Manuscripts: 1. Playwriting in Shakespeare's time: authorship, collaboration, and attribution Heather Hirschfeld 2. Ralph Crane and Edward Knight Paul Werstine 3. Shakespeare's strayng manuscripts James Purkis Part II. Making Books Building Reputations: 4. The mixed fortunes of Shakespeare in print Sonia Massai 5. 'To London all'? Mapping Shakespeare in print, 1593-8 Helen Smith 6. Shakespeare as leading playwright in print, 1598-1608/9 Alan B. Farmer 7. Shakespeare between pamphlet and book Zachary Lesser and Peter Stallybrass 8. The canonization of Shakespeare in print: 1623 Emma Smith Part III. From Print to Manuscript: 9. Commonplacing readers Laura Estill 10. Annotating and transcribing for the theatre - Shakespeare's early modern reader revisers at work Jean-Christophe Mayer 11. Shakespeare and the collection: reading beyond readers' marks Jeffrey Todd Knight 12. Encoding as editing as reading Alan Galey 13. Going postal or, performing postprint Shakespeare W. B. Worthen Part IV. Editorial Legacies: 14. Theatre editions Peter Holland 15. Editing Shakespeare by pictures Keir Elam 16. Format and readerships Andrew Murphy 17. A man who needs no introduction Leah S. Marcus 18. Emendation and the editorial reconfiguration of Shakespeare Lukas Erne Part V. Editorial Practices: 19. Full pricks and great p's: spellings, punctuation, accidentals John Jowett 20. Divided Shakespeare Alan C. Dessen 21. Shakespeare's strange tongues Matthew Dimmock 22. Before the beginning after the end: when did plays start and stop? Tiffany Stern Part VI. Apparatus and the Fashioning of Knowledge: 23. Framing Shakespeare: introductions and commentary in critical editions of the plays Jill L. Levenson 24. Editorial memory Eric Rasmussen 25. Shakespeare as network David Weinberger.
Introduction Margaret Jane Kidnie and Sonia Massai Part I. Scripts and Manuscripts: 1. Playwriting in Shakespeare's time: authorship, collaboration, and attribution Heather Hirschfeld 2. Ralph Crane and Edward Knight Paul Werstine 3. Shakespeare's strayng manuscripts James Purkis Part II. Making Books Building Reputations: 4. The mixed fortunes of Shakespeare in print Sonia Massai 5. 'To London all'? Mapping Shakespeare in print, 1593-8 Helen Smith 6. Shakespeare as leading playwright in print, 1598-1608/9 Alan B. Farmer 7. Shakespeare between pamphlet and book Zachary Lesser and Peter Stallybrass 8. The canonization of Shakespeare in print: 1623 Emma Smith Part III. From Print to Manuscript: 9. Commonplacing readers Laura Estill 10. Annotating and transcribing for the theatre - Shakespeare's early modern reader revisers at work Jean-Christophe Mayer 11. Shakespeare and the collection: reading beyond readers' marks Jeffrey Todd Knight 12. Encoding as editing as reading Alan Galey 13. Going postal or, performing postprint Shakespeare W. B. Worthen Part IV. Editorial Legacies: 14. Theatre editions Peter Holland 15. Editing Shakespeare by pictures Keir Elam 16. Format and readerships Andrew Murphy 17. A man who needs no introduction Leah S. Marcus 18. Emendation and the editorial reconfiguration of Shakespeare Lukas Erne Part V. Editorial Practices: 19. Full pricks and great p's: spellings, punctuation, accidentals John Jowett 20. Divided Shakespeare Alan C. Dessen 21. Shakespeare's strange tongues Matthew Dimmock 22. Before the beginning after the end: when did plays start and stop? Tiffany Stern Part VI. Apparatus and the Fashioning of Knowledge: 23. Framing Shakespeare: introductions and commentary in critical editions of the plays Jill L. Levenson 24. Editorial memory Eric Rasmussen 25. Shakespeare as network David Weinberger.
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