53,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in 1-2 Wochen
payback
27 °P sammeln
  • Broschiertes Buch

Sonia Massai's central claim in this book is that the texts of early printed editions of Renaissance drama, including Shakespeare's, did not simply 'degenerate' or 'corrupt' over time, as subsequent editions were printed using the immediate predecessor as their basis. By focusing on early correctors of dramatic texts for the press, this book identifies a previously overlooked category of textual agents involved in the process of their transmission into print. Massai also challenges the common assumption that the first editor of Shakespeare was Nicholas Rowe, who published his edition of…mehr

Produktbeschreibung
Sonia Massai's central claim in this book is that the texts of early printed editions of Renaissance drama, including Shakespeare's, did not simply 'degenerate' or 'corrupt' over time, as subsequent editions were printed using the immediate predecessor as their basis. By focusing on early correctors of dramatic texts for the press, this book identifies a previously overlooked category of textual agents involved in the process of their transmission into print. Massai also challenges the common assumption that the first editor of Shakespeare was Nicholas Rowe, who published his edition of Shakespeare's Works in 1709. The study offers a 'prehistory' of editing from the rise of English drama in print at the beginning of the sixteenth century to the official rise of the editorial tradition of Shakespeare at the beginning of the eighteenth century.
Autorenporträt
Sonia Massaiis Professor of Shakespeare Studies at Sapienza, University of Rome, Italy, and Visiting Professor of Shakespeare Studies at King's College London, UK. With Amy Lidster, she is co-editor of Shakespeare at War: A Material History(2023) and co-curator of the Shakespeare and Warexhibition at the National Army Museum (October 2023 - April 2024). Her other publications include her books on Shakespeare's Accents: Voicing Identity in Performance(2020) and Shakespeare and the Rise of the Editor (2007), her collections of essays on Hamlet for the Arden Shakespeare 'State of Play' series (The Arden Shakespeare, 2021), on Ivo van Hove(Methuen Drama, 2018), Shakespeare and Textual Studies (2015) and on World-Wide Shakespeares (2005), and critical editions of The Paratexts in English Printed Drama to 1642 (2014) and John Ford's 'Tis Pity She's a Whore for Arden Early Modern Drama (The Arden Shakespeare, 2011).