Shakespeare and the Spanish Comedia examines masterpieces of early modern English and Spanish theater with attention to issues of transculturation, translation, interpretation and performance. This collection of essays by highly respected British and American scholars and theater practitioners offers a unique transnational view of two great dramatic traditions in the social contexts in which they were originally created and in which they are presently viewed.
Shakespeare and the Spanish Comedia examines masterpieces of early modern English and Spanish theater with attention to issues of transculturation, translation, interpretation and performance. This collection of essays by highly respected British and American scholars and theater practitioners offers a unique transnational view of two great dramatic traditions in the social contexts in which they were originally created and in which they are presently viewed.
Bárbara Mujica is Professor of Spanish and Associated Faculty of Performing Arts at Georgetown University, where she directs El Retablo, a Spanish theater group.
Inhaltsangabe
Introduction Shattering Boundaries: Susan Fischer's Approach to Theater Studies Bárbara Mujica Part I: Translation Chapter 1 Performing Translation: The [Dangerous] Mobilities of Cultural Identity Katherine Faull Chapter 2 "Eking Out" Performance with the Mind David Johnston Chapter 3 The Translation of La vida es sueno for a Twenty-First Century Anglophone Audience Jonathan Thacker Chapter 4 Translating Hamlet for the Spanish Actor Denis Rafter Part II: Interpretation Chapter 5 The High Anxiety of Influence: Caro, Zayas, Sor Juana, and the New Arts Edward H. Friedman Chapter 6 Versions of the Battle of Cadiz, 1625 William R. Blue Chapter 7 Polyphony and Calderón de la Barca's La dama duende Charles Victor Ganelin Chapter 8 The Portrait of a Pious Widow: Francisco de Ribalta and Lope de Vega's La viuda valenciana Frederick A. de Armas Chapter 9 Women Tame and Untamed: Two Dutiful Daughters in the Romance de la doncella guerrera and Luis Vélez de Guevara's La serrana de la Vera Emilie L. Bergmann Chapter 10 Cultural Capital and Comedy: Talking Heads in Guillén de Castro's Las mocedades del Cid Mary Malcolm Gaylord Chapter 11 Shakespeare's Imagination Michael Payne Part III: Performance Chapter 12 Constructing Stage Character: The Duke of Ferrara in Lope de Vega's El castigo sin venganza Isaac Benabu Chapter 13 Facing the Music: Introducing Song into the Comedia Bárbara Mujica Chapter 14 The Autonomy of Henry IV, Part Two James C. Bulman Chapter 15 Staging Options in the Early Texts of Hamlet David Bevington Works Cited Selected Publications of Susan L. Fischer Contributors
Introduction Shattering Boundaries: Susan Fischer's Approach to Theater Studies Bárbara Mujica Part I: Translation Chapter 1 Performing Translation: The [Dangerous] Mobilities of Cultural Identity Katherine Faull Chapter 2 "Eking Out" Performance with the Mind David Johnston Chapter 3 The Translation of La vida es sueno for a Twenty-First Century Anglophone Audience Jonathan Thacker Chapter 4 Translating Hamlet for the Spanish Actor Denis Rafter Part II: Interpretation Chapter 5 The High Anxiety of Influence: Caro, Zayas, Sor Juana, and the New Arts Edward H. Friedman Chapter 6 Versions of the Battle of Cadiz, 1625 William R. Blue Chapter 7 Polyphony and Calderón de la Barca's La dama duende Charles Victor Ganelin Chapter 8 The Portrait of a Pious Widow: Francisco de Ribalta and Lope de Vega's La viuda valenciana Frederick A. de Armas Chapter 9 Women Tame and Untamed: Two Dutiful Daughters in the Romance de la doncella guerrera and Luis Vélez de Guevara's La serrana de la Vera Emilie L. Bergmann Chapter 10 Cultural Capital and Comedy: Talking Heads in Guillén de Castro's Las mocedades del Cid Mary Malcolm Gaylord Chapter 11 Shakespeare's Imagination Michael Payne Part III: Performance Chapter 12 Constructing Stage Character: The Duke of Ferrara in Lope de Vega's El castigo sin venganza Isaac Benabu Chapter 13 Facing the Music: Introducing Song into the Comedia Bárbara Mujica Chapter 14 The Autonomy of Henry IV, Part Two James C. Bulman Chapter 15 Staging Options in the Early Texts of Hamlet David Bevington Works Cited Selected Publications of Susan L. Fischer Contributors
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