Published with the Shakespeare Association of America, Shakespeare in Our Time offers lead essays by the distinguished scholars who have served as presidents of the Association over the past two decades. They introduce a range of topics: text, performance, gender, sexuality, the body, history, religion, biography, and global and digital Shakespeare. Each of their essays is counterpointed and complemented by a satellite of shorter contributions by other scholars, new and established. Shakespeare in Our Time represents the shared commitment of its authors and of the Shakespeare Association of…mehr
Published with the Shakespeare Association of America, Shakespeare in Our Time offers lead essays by the distinguished scholars who have served as presidents of the Association over the past two decades. They introduce a range of topics: text, performance, gender, sexuality, the body, history, religion, biography, and global and digital Shakespeare. Each of their essays is counterpointed and complemented by a satellite of shorter contributions by other scholars, new and established. Shakespeare in Our Time represents the shared commitment of its authors and of the Shakespeare Association of America to advancing our understanding of Shakespeare's works, his times, and his afterlife in literary, theatrical, and public culture. This intellectually vibrant and diverse book reflects current debates in the field of Shakespeare studies and points to its possible futures.
Dympna Callaghan is William L. Safire Professor of Modern Letters at Syracuse University, USA. Suzanne Gossett is Emeritus Professor of Literature at Loyola University, Chicago, USA.
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Preface - Lena Orlin List of Contributors Introduction - Dympna Callaghan and Suzanne Gossett Feminism Why Feminism Still Matters - Phyllis Rackin Just Imagine - Kathryn Schwarz Letters, Characters, Roots - Wendy Wall Sexuality Deeds, Desire, Delight - Bruce R. Smith Rethinking Sexual Acts and Identities - Mario DiGangi HexaSexuality - Madhavi Menon Teaching The Classroom - David Bevington Money for Jam - Marjorie Garber Extension Work - Patricia Cahill Editing Facts, Theories, and Beliefs - Barbara A. Mowat What We Owe to Editors - Lukas Erne What's Next in Editing Shakespeare - Sonia Massai Mortality Suicide as Profit or Loss - Mary Beth Rose Death and King Lear - Michael Neill Shakespeare's Here - Scott L. Newstok Media Spectatorship, Remediation, and One Hundred Years of Hamlet - James C. Bulman Performing Shakespeare through Social Media - Pascale Aebischer Reading Shakespeare through Media Archaeology - Alan Galey Race and Class Is Black so Base a Hue? - Jean E. Howard The Race of Shakespeare's Mind - Lara Bovilsky Speaking of Race - Ian Smith Sources Shakespeare and the Bible - Robert S. Miola Shakespeare's Sources - Ania Loomba Volver, or Coming Back - Sarah Beckwith Text and Authorship Collaboration 2016 - Gary Taylor The Value of Stage Directions - Laurie Maguire The Author Being Dead - Adam G. Hooks Globalization Against Our Own Ignorance - Susanne L. Wofford Circumnavigation, Shakespeare, and the Origins of Globalization - Daniel Vitkus The Bard in Calcutta, India, 1835-2014 - Jyotsna G. Singh Bodies and Emotions Bodies without Borders in Lear and Macbeth - Gail Kern Paster Potions, Passion, and Fairy Knowledge in A Midsummer Night's Dream - Mary Floyd-Wilson Shakespeare and Variant Embodiment - David Houston Wood Social Context Social Contexting - Frances E. Dolan "Hic et ubique": Hamlet in Sync - Bradin Bormack Playing in Context, Playing out Context - William N. West Historicism Historicizing Historicism - William C. Carroll Minding Anachronism - Margreta de Grazia The Historicist as Gamer - Gina Bloom Appropriations American Appropriation through the Centuries - Georgianna Ziegler Appropriation 2.0 - Christy Desmet Appropriation in Contemporary Fiction - Andrew Hartley Biography Shakespeare and Biography - Peter Holland Shakespeare's Friends and Family in the Archives - David Kathman Biography vs. Novel - Lois Potter Classicism The Classics as Popular Discourse - Coppelia Kahn Shakespeare's Classicism, Redux - Lynn Enterline Time, Verisimilitude, and the Counter-Classical Ovid - Heather James Public Shakespeare The Publicity of the Look - Paul Yachnin Public Women / Women of Valor - Julia Reinhard Lupton The Ghost of the Public University - Henry S. Turner Style William Shakespeare, Elizabethan Stylist - Russ McDonald Nondramatic Style - Stephen Guy-Bray Shakespeare's Lexical Style - Alysia Kolentsis Performance Pluralizing Performance - Diana E. Henderson The Study of Historical Performance - Tiffany Stern Shakespeare / Performance - W. B. Worthen Ecocriticism Shakespeare and Nature - Rebecca Bushnell Shakespeare without Nature - Steve Mentz The Chicken and the Egg - Karen Raber Afterword: Shakespeare in Tehran - Stephen Greenblatt
Preface - Lena Orlin List of Contributors Introduction - Dympna Callaghan and Suzanne Gossett Feminism Why Feminism Still Matters - Phyllis Rackin Just Imagine - Kathryn Schwarz Letters, Characters, Roots - Wendy Wall Sexuality Deeds, Desire, Delight - Bruce R. Smith Rethinking Sexual Acts and Identities - Mario DiGangi HexaSexuality - Madhavi Menon Teaching The Classroom - David Bevington Money for Jam - Marjorie Garber Extension Work - Patricia Cahill Editing Facts, Theories, and Beliefs - Barbara A. Mowat What We Owe to Editors - Lukas Erne What's Next in Editing Shakespeare - Sonia Massai Mortality Suicide as Profit or Loss - Mary Beth Rose Death and King Lear - Michael Neill Shakespeare's Here - Scott L. Newstok Media Spectatorship, Remediation, and One Hundred Years of Hamlet - James C. Bulman Performing Shakespeare through Social Media - Pascale Aebischer Reading Shakespeare through Media Archaeology - Alan Galey Race and Class Is Black so Base a Hue? - Jean E. Howard The Race of Shakespeare's Mind - Lara Bovilsky Speaking of Race - Ian Smith Sources Shakespeare and the Bible - Robert S. Miola Shakespeare's Sources - Ania Loomba Volver, or Coming Back - Sarah Beckwith Text and Authorship Collaboration 2016 - Gary Taylor The Value of Stage Directions - Laurie Maguire The Author Being Dead - Adam G. Hooks Globalization Against Our Own Ignorance - Susanne L. Wofford Circumnavigation, Shakespeare, and the Origins of Globalization - Daniel Vitkus The Bard in Calcutta, India, 1835-2014 - Jyotsna G. Singh Bodies and Emotions Bodies without Borders in Lear and Macbeth - Gail Kern Paster Potions, Passion, and Fairy Knowledge in A Midsummer Night's Dream - Mary Floyd-Wilson Shakespeare and Variant Embodiment - David Houston Wood Social Context Social Contexting - Frances E. Dolan "Hic et ubique": Hamlet in Sync - Bradin Bormack Playing in Context, Playing out Context - William N. West Historicism Historicizing Historicism - William C. Carroll Minding Anachronism - Margreta de Grazia The Historicist as Gamer - Gina Bloom Appropriations American Appropriation through the Centuries - Georgianna Ziegler Appropriation 2.0 - Christy Desmet Appropriation in Contemporary Fiction - Andrew Hartley Biography Shakespeare and Biography - Peter Holland Shakespeare's Friends and Family in the Archives - David Kathman Biography vs. Novel - Lois Potter Classicism The Classics as Popular Discourse - Coppelia Kahn Shakespeare's Classicism, Redux - Lynn Enterline Time, Verisimilitude, and the Counter-Classical Ovid - Heather James Public Shakespeare The Publicity of the Look - Paul Yachnin Public Women / Women of Valor - Julia Reinhard Lupton The Ghost of the Public University - Henry S. Turner Style William Shakespeare, Elizabethan Stylist - Russ McDonald Nondramatic Style - Stephen Guy-Bray Shakespeare's Lexical Style - Alysia Kolentsis Performance Pluralizing Performance - Diana E. Henderson The Study of Historical Performance - Tiffany Stern Shakespeare / Performance - W. B. Worthen Ecocriticism Shakespeare and Nature - Rebecca Bushnell Shakespeare without Nature - Steve Mentz The Chicken and the Egg - Karen Raber Afterword: Shakespeare in Tehran - Stephen Greenblatt
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