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William Poel (1852-1934), actor, director and author, began his acting career in 1876, deliberately choosing provincial touring in order to learn his craft. After a period as manager of the Royal Victoria Hall and Coffee Tavern (later the Old Vic), he worked as stage manager for the actor-manager Frank Benson. In the 1890s he founded the Elizabethan Stage Society in order to demonstrate his fervent belief that only a return to Elizabethan performance methods would enable a true understanding of Shakespeare's plays. This was to have a profound influence on modern productions, with directors…mehr

Produktbeschreibung
William Poel (1852-1934), actor, director and author, began his acting career in 1876, deliberately choosing provincial touring in order to learn his craft. After a period as manager of the Royal Victoria Hall and Coffee Tavern (later the Old Vic), he worked as stage manager for the actor-manager Frank Benson. In the 1890s he founded the Elizabethan Stage Society in order to demonstrate his fervent belief that only a return to Elizabethan performance methods would enable a true understanding of Shakespeare's plays. This was to have a profound influence on modern productions, with directors such as Tyrone Guthrie and John Gielgud adopting his ideals rather than his often idiosyncratic practices. Moreover, his long-held wish for a replica of the Globe Theatre has since become a reality. Poel was also a prolific author and this work, first published in 1913, explores his philosophy by bringing together four articles on the staging of Shakespeare.
Autorenporträt
William Poel was an influential figure in the world of theater, best known for his innovative approaches to the staging of Shakespearean plays. His seminal work, 'Shakespeare in the Theatre,' left a significant mark on the understanding of Elizabethan stage practices. Poel was a staunch advocate for Elizabethan staging methods, championing the idea that Shakespeare's plays should be experienced as closely as possible to their original productions. His work was not confined to theoretical exposition but extended to practical application in his role as a producer, director, and actor. Poel's commitment to authentic Shakespearean performance led to the founding of the Elizabethan Stage Society in the late 19th century, through which he sought to revive and preserve the Bard's plays within the framework of their initial conditions. Though perhaps not a household name, Poel's contributions to Shakespearean scholarship and performance have been acknowledged by academics and theater practitioners alike, and 'Shakespeare in the Theatre' stands as a testament to his enduring legacy. Poel's literary style was characterized by precise historical research combined with a vivid portrayal of the theater of his time, demonstrating not just scholarly insight but a deep passion for the subject matter.