Shakespeare Survey is a yearbook of Shakespeare studies and production. The theme for Volume 76 is 'Digital and Virtual Shakespeare'. The complete set of Survey volumes is also available online at https://www.cambridge.org/core/publications/collections/cambridge-shakespeare.
Shakespeare Survey is a yearbook of Shakespeare studies and production. The theme for Volume 76 is 'Digital and Virtual Shakespeare'. The complete set of Survey volumes is also available online at https://www.cambridge.org/core/publications/collections/cambridge-shakespeare.
1. All early modern drama is virtual to us David McInnis; 2. RSC live from stratford-upon-avon: ten things I think I know or, of course we're making a movie John Wyver; 3. Digital ariel: an interview with Mark quartley Michael Dobson and Mark Quartley; 4. Staging digital co-presence: Punchdrunk's hybrid sleep no more (2012) and pandemic-informed pedagogies Erin Sullivan; 5. Very tragical mirth': performing a midsummer night's dream on screen(s) during lockdown Benjamin Broadribb; 6. Uneasy lies the head: Michael Almereyda's halloween cymbeline Peter J. Smith; 7. When is king lear not king lear? Peter Holland; 8. Sim-ulating Shakespeare: from stage to computer screen Emily Louisa Smith; 9. Meter in the middle distance Robert Stagg; 10. What's in a 'Quire'? vicissitudes of the virtual in Shakespeare's Julius caesar and romeo and juliet Silvia Bigliazzi; 11. And which the Jew?': representations of Shylock in meiji Japan (1868-1912) Reiko Oya; 12. Hamlet, translation and the cultural conditions of thought Jessica Chiba; 13. The Pietas of dogberry Sean Benson; 14. Taylor Mac's Gary and Queer Failure in Titus Andronicus Louise Geddes; 15. I would cure you': self-help advice on love in Sidney and Shakespeare Ceri Sullivan; 16. Shakespeare in Arden: pragmatic markers and parallels Duncan Salkeld; 17. Sycorax's hoop Hanh Bui; 18. Shakespeare performances in England 2022: outside London Peter Kirwan; 19. Shakespeare performances in England 2022: London Lois Potter; 20. Professional Shakespeare productions in the British isles, January-December 2021 James Shaw; 21. The year's contribution to Shakespeare Studies: 1. Critical Studies reviewed by Ezra Horbury, 2. Performance reviewed by Miranda Fay Thomas, 3. Editions and textual studies reviewed by Emma Depledge.
1. All early modern drama is virtual to us David McInnis; 2. RSC live from stratford-upon-avon: ten things I think I know or, of course we're making a movie John Wyver; 3. Digital ariel: an interview with Mark quartley Michael Dobson and Mark Quartley; 4. Staging digital co-presence: Punchdrunk's hybrid sleep no more (2012) and pandemic-informed pedagogies Erin Sullivan; 5. Very tragical mirth': performing a midsummer night's dream on screen(s) during lockdown Benjamin Broadribb; 6. Uneasy lies the head: Michael Almereyda's halloween cymbeline Peter J. Smith; 7. When is king lear not king lear? Peter Holland; 8. Sim-ulating Shakespeare: from stage to computer screen Emily Louisa Smith; 9. Meter in the middle distance Robert Stagg; 10. What's in a 'Quire'? vicissitudes of the virtual in Shakespeare's Julius caesar and romeo and juliet Silvia Bigliazzi; 11. And which the Jew?': representations of Shylock in meiji Japan (1868-1912) Reiko Oya; 12. Hamlet, translation and the cultural conditions of thought Jessica Chiba; 13. The Pietas of dogberry Sean Benson; 14. Taylor Mac's Gary and Queer Failure in Titus Andronicus Louise Geddes; 15. I would cure you': self-help advice on love in Sidney and Shakespeare Ceri Sullivan; 16. Shakespeare in Arden: pragmatic markers and parallels Duncan Salkeld; 17. Sycorax's hoop Hanh Bui; 18. Shakespeare performances in England 2022: outside London Peter Kirwan; 19. Shakespeare performances in England 2022: London Lois Potter; 20. Professional Shakespeare productions in the British isles, January-December 2021 James Shaw; 21. The year's contribution to Shakespeare Studies: 1. Critical Studies reviewed by Ezra Horbury, 2. Performance reviewed by Miranda Fay Thomas, 3. Editions and textual studies reviewed by Emma Depledge.
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