1. The commercial bard: business models for the 21st century Kathleen McLuskie; 2. International innovation? Shakespeare as intercultural catalyst Emily Linnemann; 3. Brand Shakespeare? Kate Rumbold; 4. Global Shakespeare 2.0 and the task of the performance archive Alex Huang; 5. An international database of Shakespeare on film, television and radio Olwen Terris; 6. 'Sounds and sweet airs': music in Shakespearean performance history David Lindley; 7. Using Shakespeare with memes, remixes, and fanfic Fran Teague; 8. 'Pretty much how the internet works', or, aiding and abetting the deprofessionalization of Shakespeare studies Sharon O'Dair; 9. Catalyzing what?: Remediation, history, and what of Love's Labour's lasts Diana Henderson; 10. Kabuki Twelfth Night and Kyogen Richard III: Shakespeare as a cultural catalyst Shoichiro Kawai; 11. The Sonnets as an open-source initiative Julie Sanders; 12. 'A stage of the mind': Hamlet on post-war British radio Susanne Greenhalgh; 13. Post-textual Shakespeare Douglas M. Lanier; 14. I am what I am not: identifying with the Other in Othello Stephen Cohen; 15. Desdemona's book, lost and found Roshni Mooneeram; 16. Non-catalyst and marginal Shakespeares in the nineteenth-century revival of Catalan-speaking cultures Jesús Tronch-Pérez; 17. Shakespeare, Mácha and Czech romantic historicism Martin Procházka; 18. An Irish catalysis: W. B. Yeats and the uses of Shakespeare Andrew Murphy; 19. François-Victor Hugo and the limits of cultural catalysis Ruth Morse; 20. 'You taught me language': Shakespeare in India Poonam Trivedi; 21. There is some soul of good: an action-centred approach to teaching Shakespeare in schools Jonothan Neelands and Jacqui O'Hanlon; 22. The Royal Shakespeare Company as 'cultural chemist' Sarah Olive; 23. Shakespeare at the white greyhound Adam Hooks; 24. Dark matter: Shakespeare's foul dens and forests Charlotte Scott; 25. What we hear, what we see: theatre for a new audience's 2009 Hamlet Bernice W. Kliman; 26. Narrative of negativity: Whig historiography and the spectre of King James in Measure for Measure Kevin Quarmby; 27. Québécois Shakespeare goes global: Robert Lepage's Coriolan Robert Ormsby; 28. Endless mornings on endless faces: Shakespeare and Philip Larkin Peter Holbrook; 29. Shakespeare performances in England 2010 Carol Chillington Rutter; 30. Professional Shakespeare productions in the British Isles, January-December 2009 James Shaw; 31. The year's contribution to Shakespeare studies: a. Critical studies reviewed by Julie Sanders; b. Shakespeare in performance reviewed by Pascale Aebischer; c. Editions and textual studies reviewed by Eric Rasmussen.
1. The commercial bard: business models for the 21st century Kathleen McLuskie; 2. International innovation? Shakespeare as intercultural catalyst Emily Linnemann; 3. Brand Shakespeare? Kate Rumbold; 4. Global Shakespeare 2.0 and the task of the performance archive Alex Huang; 5. An international database of Shakespeare on film, television and radio Olwen Terris; 6. 'Sounds and sweet airs': music in Shakespearean performance history David Lindley; 7. Using Shakespeare with memes, remixes, and fanfic Fran Teague; 8. 'Pretty much how the internet works', or, aiding and abetting the deprofessionalization of Shakespeare studies Sharon O'Dair; 9. Catalyzing what?: Remediation, history, and what of Love's Labour's lasts Diana Henderson; 10. Kabuki Twelfth Night and Kyogen Richard III: Shakespeare as a cultural catalyst Shoichiro Kawai; 11. The Sonnets as an open-source initiative Julie Sanders; 12. 'A stage of the mind': Hamlet on post-war British radio Susanne Greenhalgh; 13. Post-textual Shakespeare Douglas M. Lanier; 14. I am what I am not: identifying with the Other in Othello Stephen Cohen; 15. Desdemona's book, lost and found Roshni Mooneeram; 16. Non-catalyst and marginal Shakespeares in the nineteenth-century revival of Catalan-speaking cultures Jesús Tronch-Pérez; 17. Shakespeare, Mácha and Czech romantic historicism Martin Procházka; 18. An Irish catalysis: W. B. Yeats and the uses of Shakespeare Andrew Murphy; 19. François-Victor Hugo and the limits of cultural catalysis Ruth Morse; 20. 'You taught me language': Shakespeare in India Poonam Trivedi; 21. There is some soul of good: an action-centred approach to teaching Shakespeare in schools Jonothan Neelands and Jacqui O'Hanlon; 22. The Royal Shakespeare Company as 'cultural chemist' Sarah Olive; 23. Shakespeare at the white greyhound Adam Hooks; 24. Dark matter: Shakespeare's foul dens and forests Charlotte Scott; 25. What we hear, what we see: theatre for a new audience's 2009 Hamlet Bernice W. Kliman; 26. Narrative of negativity: Whig historiography and the spectre of King James in Measure for Measure Kevin Quarmby; 27. Québécois Shakespeare goes global: Robert Lepage's Coriolan Robert Ormsby; 28. Endless mornings on endless faces: Shakespeare and Philip Larkin Peter Holbrook; 29. Shakespeare performances in England 2010 Carol Chillington Rutter; 30. Professional Shakespeare productions in the British Isles, January-December 2009 James Shaw; 31. The year's contribution to Shakespeare studies: a. Critical studies reviewed by Julie Sanders; b. Shakespeare in performance reviewed by Pascale Aebischer; c. Editions and textual studies reviewed by Eric Rasmussen.
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