Shakespeare's Auditory Worlds examines special listening situations like overhearing, eavesdropping, and asides; it explores complex relationships between sound and sight, dialogue and blocking, non-English languages, and non-verbal relationships inherent in noise, sounds, and music, ending with a discussion with ASC Actors.
Shakespeare's Auditory Worlds examines special listening situations like overhearing, eavesdropping, and asides; it explores complex relationships between sound and sight, dialogue and blocking, non-English languages, and non-verbal relationships inherent in noise, sounds, and music, ending with a discussion with ASC Actors.
Walter W. Cannon is professor emeritus of English at Central College. Laury Magnus is professor of English at the U.S. Merchant Marine Academy.
Inhaltsangabe
Introduction Listening to Shakespeare's Worlds of Sound Walter W. Cannon and Laury Magnus Part I: Sensory Apprehension: Speaking, Hearing, and Seeing on Shakespeare's Stages 1"Report me and my cause aright": Hearing the Language of Exhortation in Hamlet and King Lear David Bevington 2Sound and Sight, Sound vs. Sight in Hamlet Laury Magnus 3Hearing and Interfering: Solving Puzzles in Theater Productions of Measure for Measure Gayle Gaskill Part II: Hearing Gone Awry: Mishearing, Not Hearing, and Silence 4Silence, Mishearing, and Indirection in Much Ado Caroline Latta 5Writing Letters, Hearing Voices: Epistolary Error in Twelfth Night Walter W. Cannon 6Staging "Skimble-skamble stuff": 1 Henry IV and the Welsh Voice Megan Lloyd and Elizabeth Brown Part III: Hearing Beyond Words: Shakespeare's Noise, Sounds, and Music 7Soundscape for an Offstage Beheading: Shakespeare's Revision of 2 Henry VI 4.1 Stephen Urkowitz 8"Fearful and confused cries": Birdsong, Sympathy, and the Fear of So
Introduction Listening to Shakespeare's Worlds of Sound Walter W. Cannon and Laury Magnus Part I: Sensory Apprehension: Speaking, Hearing, and Seeing on Shakespeare's Stages 1"Report me and my cause aright": Hearing the Language of Exhortation in Hamlet and King Lear David Bevington 2Sound and Sight, Sound vs. Sight in Hamlet Laury Magnus 3Hearing and Interfering: Solving Puzzles in Theater Productions of Measure for Measure Gayle Gaskill Part II: Hearing Gone Awry: Mishearing, Not Hearing, and Silence 4Silence, Mishearing, and Indirection in Much Ado Caroline Latta 5Writing Letters, Hearing Voices: Epistolary Error in Twelfth Night Walter W. Cannon 6Staging "Skimble-skamble stuff": 1 Henry IV and the Welsh Voice Megan Lloyd and Elizabeth Brown Part III: Hearing Beyond Words: Shakespeare's Noise, Sounds, and Music 7Soundscape for an Offstage Beheading: Shakespeare's Revision of 2 Henry VI 4.1 Stephen Urkowitz 8"Fearful and confused cries": Birdsong, Sympathy, and the Fear of So
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