Dorota Ostrowska, Tamara FalicovPractice and Methods
Shaping Film Festivals In a Changing World
Practice and Methods
Herausgeber: Ostrowska, Dorota; Falicov, Tamara
Dorota Ostrowska, Tamara FalicovPractice and Methods
Shaping Film Festivals In a Changing World
Practice and Methods
Herausgeber: Ostrowska, Dorota; Falicov, Tamara
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This volume is a collective attempt on the part of a community of academics, film festival curators, and archivists to come to terms with practical and intellectual challenges of the pandemic and post-pandemic realities affecting cultures of film festivals.
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This volume is a collective attempt on the part of a community of academics, film festival curators, and archivists to come to terms with practical and intellectual challenges of the pandemic and post-pandemic realities affecting cultures of film festivals.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 304
- Erscheinungstermin: 23. Januar 2025
- Englisch
- Abmessung: 240mm x 161mm x 21mm
- Gewicht: 622g
- ISBN-13: 9789463725576
- ISBN-10: 9463725571
- Artikelnr.: 72700694
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Routledge
- Seitenzahl: 304
- Erscheinungstermin: 23. Januar 2025
- Englisch
- Abmessung: 240mm x 161mm x 21mm
- Gewicht: 622g
- ISBN-13: 9789463725576
- ISBN-10: 9463725571
- Artikelnr.: 72700694
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Dorota Ostrowska is a senior lecturer in film and modern media at Birkbeck, University of London. She has written extensively about Polish and French film and TV histories, and film festival cultures. She is the author of Reading the French new wave: critics, writers and art cinema in France (2008), European Cinemas in the Television Age (co-edited with G. Roberts, 2007), Popular cinemas in Central and Eastern Europe: film cultures and histories (co-edited with F. Pitassio and Z. Varga, 2017). She is working on a monograph on the cultural history of international film festivals with special focus on questions of space, programming and spectatorial experience. Tamara L. Falicov is the inaugural dean of the UMKC School of Humanities and Social Sciences and author of Latin American Film Industries and The Cinematic Tango: Contemporary Argentine Film. Her research interests range from Latin American film festival research to assisting medical researchers in understanding language and culture in the treatment of Latinx patients and families.
Acknowledgments, Introduction, Part 1: Archival Turn, Chapter 1
Practitioner talks: Piers Handling
The Red and the Black: The State and the Privateers, Different Approaches to Organizing Film Festivals, Chapter 2
Antoine Damiens
Archival Research and Festival Studies' Historiographical Narratives, Chapter 3
Jonathan Petrychyn
Film Festivals as Affective Economies: Methodologies for Following Buzz as Film Festival Effect, Chapter 4
Practitioner talks: Juana Suarez
Film Preservation, Archives and Film Festivals in Latin America, Part 2: Decolonising Film Festival Studies: Practice
based/practice
led and collaborative methodologies, Chapter 5
Estrella Sendra
Positionality, Immersive Methodology and Collaboration in Film Festival Research, Chapter 6
Jasper Vanhaelemeesch
Immersion, Reflection, Triangulation: Festival Research Methods in Small and Precarious Cinemas, Chapter 7
Practitioner talks: Jonathan Ali
Providing Needed Space for Caribbean and Diaspora Filmmakers in Miami, Chapter 8
Rachel Johnson
On Studying Film Festivals and Migration: Borderlands and Beginnings, Chapter 9
Alexandra
Maria Colta
Unraveling Curatorial Dilemmas: Practice
led and Auto
ethnography in the Study of Human Rights Film Festivals, Part 3: Post
Covid 19 and Film Festival Studies, Chapter 10
Practitioner talks: Maria Delgado
Programming under Covid: London Film Festival 2020, Chapter 11
Ger Zielinski
Steps to a Greener Film Festival Studies: A Multidisciplinary Subfield and the Environmentalist Turn, Chapter 12
Practitioner talks: Hebe Tabachnik
Festivals Must Not Only Nurture Audiences: They Must Create Them Too, Chapter 13
Dorota Ostrowska
Tell me why you care? Film Festival Cultures, Ethics and Aesthetics of Care, Chapter 14
Practitioner talks: Jim Kolmar
Film Festivals in the Time of Covid
19
A Programmer's Perspective, Part 4: Data Visualization and Film Festival Research and Practice, Chapter 15
Skadi Loist
Studying Film Circulation: Moving Film Festival Research to an Evidence
Based, Global Perspective, Chapter 16
Aida Vallejo & María Paz Peirano
From the Field to the Data
base: Combining Methods in Film Festival Research, Chapter 17
Brendan Kredell
Independent Film and the US Festival Circuit, Bibliography, Index.
Practitioner talks: Piers Handling
The Red and the Black: The State and the Privateers, Different Approaches to Organizing Film Festivals, Chapter 2
Antoine Damiens
Archival Research and Festival Studies' Historiographical Narratives, Chapter 3
Jonathan Petrychyn
Film Festivals as Affective Economies: Methodologies for Following Buzz as Film Festival Effect, Chapter 4
Practitioner talks: Juana Suarez
Film Preservation, Archives and Film Festivals in Latin America, Part 2: Decolonising Film Festival Studies: Practice
based/practice
led and collaborative methodologies, Chapter 5
Estrella Sendra
Positionality, Immersive Methodology and Collaboration in Film Festival Research, Chapter 6
Jasper Vanhaelemeesch
Immersion, Reflection, Triangulation: Festival Research Methods in Small and Precarious Cinemas, Chapter 7
Practitioner talks: Jonathan Ali
Providing Needed Space for Caribbean and Diaspora Filmmakers in Miami, Chapter 8
Rachel Johnson
On Studying Film Festivals and Migration: Borderlands and Beginnings, Chapter 9
Alexandra
Maria Colta
Unraveling Curatorial Dilemmas: Practice
led and Auto
ethnography in the Study of Human Rights Film Festivals, Part 3: Post
Covid 19 and Film Festival Studies, Chapter 10
Practitioner talks: Maria Delgado
Programming under Covid: London Film Festival 2020, Chapter 11
Ger Zielinski
Steps to a Greener Film Festival Studies: A Multidisciplinary Subfield and the Environmentalist Turn, Chapter 12
Practitioner talks: Hebe Tabachnik
Festivals Must Not Only Nurture Audiences: They Must Create Them Too, Chapter 13
Dorota Ostrowska
Tell me why you care? Film Festival Cultures, Ethics and Aesthetics of Care, Chapter 14
Practitioner talks: Jim Kolmar
Film Festivals in the Time of Covid
19
A Programmer's Perspective, Part 4: Data Visualization and Film Festival Research and Practice, Chapter 15
Skadi Loist
Studying Film Circulation: Moving Film Festival Research to an Evidence
Based, Global Perspective, Chapter 16
Aida Vallejo & María Paz Peirano
From the Field to the Data
base: Combining Methods in Film Festival Research, Chapter 17
Brendan Kredell
Independent Film and the US Festival Circuit, Bibliography, Index.
Acknowledgments, Introduction, Part 1: Archival Turn, Chapter 1
Practitioner talks: Piers Handling
The Red and the Black: The State and the Privateers, Different Approaches to Organizing Film Festivals, Chapter 2
Antoine Damiens
Archival Research and Festival Studies' Historiographical Narratives, Chapter 3
Jonathan Petrychyn
Film Festivals as Affective Economies: Methodologies for Following Buzz as Film Festival Effect, Chapter 4
Practitioner talks: Juana Suarez
Film Preservation, Archives and Film Festivals in Latin America, Part 2: Decolonising Film Festival Studies: Practice
based/practice
led and collaborative methodologies, Chapter 5
Estrella Sendra
Positionality, Immersive Methodology and Collaboration in Film Festival Research, Chapter 6
Jasper Vanhaelemeesch
Immersion, Reflection, Triangulation: Festival Research Methods in Small and Precarious Cinemas, Chapter 7
Practitioner talks: Jonathan Ali
Providing Needed Space for Caribbean and Diaspora Filmmakers in Miami, Chapter 8
Rachel Johnson
On Studying Film Festivals and Migration: Borderlands and Beginnings, Chapter 9
Alexandra
Maria Colta
Unraveling Curatorial Dilemmas: Practice
led and Auto
ethnography in the Study of Human Rights Film Festivals, Part 3: Post
Covid 19 and Film Festival Studies, Chapter 10
Practitioner talks: Maria Delgado
Programming under Covid: London Film Festival 2020, Chapter 11
Ger Zielinski
Steps to a Greener Film Festival Studies: A Multidisciplinary Subfield and the Environmentalist Turn, Chapter 12
Practitioner talks: Hebe Tabachnik
Festivals Must Not Only Nurture Audiences: They Must Create Them Too, Chapter 13
Dorota Ostrowska
Tell me why you care? Film Festival Cultures, Ethics and Aesthetics of Care, Chapter 14
Practitioner talks: Jim Kolmar
Film Festivals in the Time of Covid
19
A Programmer's Perspective, Part 4: Data Visualization and Film Festival Research and Practice, Chapter 15
Skadi Loist
Studying Film Circulation: Moving Film Festival Research to an Evidence
Based, Global Perspective, Chapter 16
Aida Vallejo & María Paz Peirano
From the Field to the Data
base: Combining Methods in Film Festival Research, Chapter 17
Brendan Kredell
Independent Film and the US Festival Circuit, Bibliography, Index.
Practitioner talks: Piers Handling
The Red and the Black: The State and the Privateers, Different Approaches to Organizing Film Festivals, Chapter 2
Antoine Damiens
Archival Research and Festival Studies' Historiographical Narratives, Chapter 3
Jonathan Petrychyn
Film Festivals as Affective Economies: Methodologies for Following Buzz as Film Festival Effect, Chapter 4
Practitioner talks: Juana Suarez
Film Preservation, Archives and Film Festivals in Latin America, Part 2: Decolonising Film Festival Studies: Practice
based/practice
led and collaborative methodologies, Chapter 5
Estrella Sendra
Positionality, Immersive Methodology and Collaboration in Film Festival Research, Chapter 6
Jasper Vanhaelemeesch
Immersion, Reflection, Triangulation: Festival Research Methods in Small and Precarious Cinemas, Chapter 7
Practitioner talks: Jonathan Ali
Providing Needed Space for Caribbean and Diaspora Filmmakers in Miami, Chapter 8
Rachel Johnson
On Studying Film Festivals and Migration: Borderlands and Beginnings, Chapter 9
Alexandra
Maria Colta
Unraveling Curatorial Dilemmas: Practice
led and Auto
ethnography in the Study of Human Rights Film Festivals, Part 3: Post
Covid 19 and Film Festival Studies, Chapter 10
Practitioner talks: Maria Delgado
Programming under Covid: London Film Festival 2020, Chapter 11
Ger Zielinski
Steps to a Greener Film Festival Studies: A Multidisciplinary Subfield and the Environmentalist Turn, Chapter 12
Practitioner talks: Hebe Tabachnik
Festivals Must Not Only Nurture Audiences: They Must Create Them Too, Chapter 13
Dorota Ostrowska
Tell me why you care? Film Festival Cultures, Ethics and Aesthetics of Care, Chapter 14
Practitioner talks: Jim Kolmar
Film Festivals in the Time of Covid
19
A Programmer's Perspective, Part 4: Data Visualization and Film Festival Research and Practice, Chapter 15
Skadi Loist
Studying Film Circulation: Moving Film Festival Research to an Evidence
Based, Global Perspective, Chapter 16
Aida Vallejo & María Paz Peirano
From the Field to the Data
base: Combining Methods in Film Festival Research, Chapter 17
Brendan Kredell
Independent Film and the US Festival Circuit, Bibliography, Index.







