This book examines shellac's evolution from early visual applications through Emile Berliner's discovery of its audio properties to its contemporary artistic uses
This book examines shellac's evolution from early visual applications through Emile Berliner's discovery of its audio properties to its contemporary artistic uses
Elodie A. Roy is a media and material culture theorist with a specialism in the history of phonography. She is the author of Media, Materiality and Memory: Grounding the Groove, and the co-editor (with Eva Moreda Rodríguez) of Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890-1945.
Inhaltsangabe
Introduction: From material culture to the materials of culture Chapter 1. Sheen: Early stories and circulation of shellac Chapter 2. Crackle: Assembling the record Chapter 3. Mirrors: Phono-fetishism and intersensory visions Chapter 4. Detonations: Shellac at war Chapter 5. Shards: Waste obsolescence and contemporary remediations Conclusion: Sonic sculptures Index.
Introduction: From material culture to the materials of culture Chapter 1. Sheen: Early stories and circulation of shellac Chapter 2. Crackle: Assembling the record Chapter 3. Mirrors: Phono-fetishism and intersensory visions Chapter 4. Detonations: Shellac at war Chapter 5. Shards: Waste obsolescence and contemporary remediations Conclusion: Sonic sculptures Index.
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