From films, television shows, and young adult literature to beauty pageants, stand-up comedy, and role-playing games, pop culture influences our views of gender. This collection of 12 essays brings together a diverse selection of scholars to examine how various groups are represented in these narratives. A mirror that allows us to see who and what we are, pop culture also has, in John Podhoretz's words, the "ability to alter, destroy, or praise" how we see and define ourselves, and shapes how we understand our own and others' actions, values, and beliefs. These essays investigate the ways in…mehr
From films, television shows, and young adult literature to beauty pageants, stand-up comedy, and role-playing games, pop culture influences our views of gender. This collection of 12 essays brings together a diverse selection of scholars to examine how various groups are represented in these narratives. A mirror that allows us to see who and what we are, pop culture also has, in John Podhoretz's words, the "ability to alter, destroy, or praise" how we see and define ourselves, and shapes how we understand our own and others' actions, values, and beliefs. These essays investigate the ways in which popular culture helps us understand the rapid and often dramatic societal changes occurring around gender roles and identity. They address the question of truth in representation of women and gender minorities, highlighting the tension between the best and the worst that popular culture can offer to these debates.
Laura J. Getty is Professor of English at the University of North Georgia, Dahlonega, where she has contributed to and edited several online anthologies for the UNG Press. Josef Vice is Professor of English and Rhetoric at Purdue University Global, where he also is the faculty advisor for the PG Pride Student Organization. He is also a co-author for a forthcoming study of faculty attitudes towards teaching LGBTQIA2S+ students.
Inhaltsangabe
Table of Contents Acknowledgments Preface Laura J. Getty and Josef Vice Introduction Laura J. Getty and Josef Vice Section One: Autonomous Identities For Your Viewing Pleasure: Women's Gazes/Female Gaze(s) in Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn Laura J. Getty Good Asian Girls Gone Bad: The Model Minoritization and Sexualization of Asian American Teen Girls in the Netflix Originals To All the Boys I've Loved Before (2018), Never Have I Ever (2020), and Dash & Lily (2020) Talitha Angelica Acaylar Trazo A Singular Woman: Gender and Power Dynamics in The Thousand Autumns of Jacob de Zoet Josef Vice and Alaina M. Doten Feeling Like a Woman: Manipulation by White Men and the Use of the Erotic in Pose Alexis Ciccone Section Two: Deceptive Identities Get Out's Rose Armitage: The Mother of Tomorrow, a "Normal" White Woman Julia Reade Straightening China: The Outlawed Effeminate Men and Queer Utopianism in Idol Producer (2018) Chelsea Wenzhu Xu Neo-Beauty Pageants: Representations of the Female Body in Hong Kong Emily S.m. Chow-Quesada "I identify as ... tired": The Evolution of the Comic Personae in the Comedy of Hannah Gadsby and Cameron Esposito Amanda E. Salmon Section Three: Transgressive Identities Co-Opting Trans Culture: Ryan Murphy, Janet Mock, and the Cultural Legitimacy of Pose Paige Macintosh Desire and the Body: Surveillance, Sexuality, and Power in The Handmaid's Tale Reut Odinak Women in Kurtulü Son Durak: From Victims to Rebels Fatma Fulya Tepe XConfessions: Erika Lust's Pleasure-Affirmative Feminist Porn and the Popular Culture of Erotic Desire Maria Emilia Barbosa and Lily Martinez About the Contributors Index
Table of Contents Acknowledgments Preface Laura J. Getty and Josef Vice Introduction Laura J. Getty and Josef Vice Section One: Autonomous Identities For Your Viewing Pleasure: Women's Gazes/Female Gaze(s) in Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn Laura J. Getty Good Asian Girls Gone Bad: The Model Minoritization and Sexualization of Asian American Teen Girls in the Netflix Originals To All the Boys I've Loved Before (2018), Never Have I Ever (2020), and Dash & Lily (2020) Talitha Angelica Acaylar Trazo A Singular Woman: Gender and Power Dynamics in The Thousand Autumns of Jacob de Zoet Josef Vice and Alaina M. Doten Feeling Like a Woman: Manipulation by White Men and the Use of the Erotic in Pose Alexis Ciccone Section Two: Deceptive Identities Get Out's Rose Armitage: The Mother of Tomorrow, a "Normal" White Woman Julia Reade Straightening China: The Outlawed Effeminate Men and Queer Utopianism in Idol Producer (2018) Chelsea Wenzhu Xu Neo-Beauty Pageants: Representations of the Female Body in Hong Kong Emily S.m. Chow-Quesada "I identify as ... tired": The Evolution of the Comic Personae in the Comedy of Hannah Gadsby and Cameron Esposito Amanda E. Salmon Section Three: Transgressive Identities Co-Opting Trans Culture: Ryan Murphy, Janet Mock, and the Cultural Legitimacy of Pose Paige Macintosh Desire and the Body: Surveillance, Sexuality, and Power in The Handmaid's Tale Reut Odinak Women in Kurtulü Son Durak: From Victims to Rebels Fatma Fulya Tepe XConfessions: Erika Lust's Pleasure-Affirmative Feminist Porn and the Popular Culture of Erotic Desire Maria Emilia Barbosa and Lily Martinez About the Contributors Index
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