With a fragmented yet rich lyricism, Shifting Registers crosses borders between lost and rediscovered identity. The voices in the poems may be tentative and vulnerable, regretful and haunting, or playful and provocative, as they relive and re-imagine half-remembered journeys and encounters. That which has become strange through its distance in the past becomes once again familiar, while that which is near in the present begins to be unknowable. Shifting Registers seeks to reconcile the two, and to construct a wholeness for the future, yet without resort to easy answers or false resolution.…mehr
With a fragmented yet rich lyricism, Shifting Registers crosses borders between lost and rediscovered identity. The voices in the poems may be tentative and vulnerable, regretful and haunting, or playful and provocative, as they relive and re-imagine half-remembered journeys and encounters. That which has become strange through its distance in the past becomes once again familiar, while that which is near in the present begins to be unknowable. Shifting Registers seeks to reconcile the two, and to construct a wholeness for the future, yet without resort to easy answers or false resolution. Throughout, there is delight in the navigation of different realities and new spaces through language.
Ian Seed teaches Creative Writing at the University of Chester, and has lectured in Italian language and literature. He is a poet, critic, fiction writer, editor and translator. He has published a number of collections of poetry and prose, including five full-length collections with Shearsman Books, the most recent of which, New York Hotel (2018), was selected by Mark Ford as a TLS Book of the Year. Seed's first full-length collection, Anonymous Intruder, was published by Shearsman in 2009. Shearsman have since published his collections Shifting Registers (2011), Makers of Empty Dreams (2014), Identity Papers (2016) and New York Hotel (2018) as well as his translation of Gezim Hajdari's Bitter Grass (2020).
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