When it appeared in 1960, the inspired fun of François Truffaut's Shoot the Piano Player shocked and delighted critics and audiences around the world. Peter Brunette's introduction to this book gives us new insight into the film, based in part on revisualizing it in terms of recent postmodern and poststructuralist thinking.
When it appeared in 1960, the inspired fun of François Truffaut's Shoot the Piano Player shocked and delighted critics and audiences around the world. Peter Brunette's introduction to this book gives us new insight into the film, based in part on revisualizing it in terms of recent postmodern and poststructuralist thinking.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Peter Brunette is Professor of English and Film Studies at George Mason University. He is the author of Roberto Rossellini and co-author of Screen/Play: Derrida and Film Theory . Deceased 2010
Inhaltsangabe
Introduction - Shoot the Piano Player as a postmodernist text / Peter Brunette Fräois Truffaut : A Biographical Sketch Shoot the Piano Player - Credits and cast The continuity script Notes on the continuity script Interviews, Reviews, and Commentaries - Interviews : Interview with Fräois Truffaut / l ne Laroche Davis I wanted to treat Shoot the Piano Player like a tale by Perrault : An interview with Fräois Truffaut / Yvonne Baby Adapting Shooting the Piano Player / Fräois Truffaut Should films be politically committed? / Fräois Truffaut From an interview with Fräois Truffaut Reviews : Cin ma 60 / Alain Vargas Cin ma 61 / Marcel Martin The New Yorker / Edith Oliver Variety / "Mosk" Sight and Sound / Peter John Dyer Film Culture / Pauline Kael The Village Voice / Andrew Sarris The New York Times / Bosley Crowther Esquire / Dwight Macdonald Commentaries : Cinema of appearance / Gabriel Pearson and Eric Rhode "Are women magic?" / Annette Insdorf The existential play in Truffaut's early films / Allen Thiher Truffaut, Godard, and the genre film as self-conscious art / Leo Braudy The statement of genres / James Monaco Tirez sur le Pianiste / C.G. Crisp Tirez sur le Pianiste / Don Allen The sensitive spot / Jean-Paul k On Shoot the Piano Player / Graham Petrie Through the looking glass / Roger Greenspun The technique of Shoot the Piano Player / Karel Reisz and Gavin Miller Filmography and Bibliography - Truffaut Filmography, 1954-1983 Selected Bibliography
Introduction - Shoot the Piano Player as a postmodernist text / Peter Brunette Fräois Truffaut : A Biographical Sketch Shoot the Piano Player - Credits and cast The continuity script Notes on the continuity script Interviews, Reviews, and Commentaries - Interviews : Interview with Fräois Truffaut / l ne Laroche Davis I wanted to treat Shoot the Piano Player like a tale by Perrault : An interview with Fräois Truffaut / Yvonne Baby Adapting Shooting the Piano Player / Fräois Truffaut Should films be politically committed? / Fräois Truffaut From an interview with Fräois Truffaut Reviews : Cin ma 60 / Alain Vargas Cin ma 61 / Marcel Martin The New Yorker / Edith Oliver Variety / "Mosk" Sight and Sound / Peter John Dyer Film Culture / Pauline Kael The Village Voice / Andrew Sarris The New York Times / Bosley Crowther Esquire / Dwight Macdonald Commentaries : Cinema of appearance / Gabriel Pearson and Eric Rhode "Are women magic?" / Annette Insdorf The existential play in Truffaut's early films / Allen Thiher Truffaut, Godard, and the genre film as self-conscious art / Leo Braudy The statement of genres / James Monaco Tirez sur le Pianiste / C.G. Crisp Tirez sur le Pianiste / Don Allen The sensitive spot / Jean-Paul k On Shoot the Piano Player / Graham Petrie Through the looking glass / Roger Greenspun The technique of Shoot the Piano Player / Karel Reisz and Gavin Miller Filmography and Bibliography - Truffaut Filmography, 1954-1983 Selected Bibliography
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