Introduction; Part I. Archival Studies: 1. Interrupted masterpiece: Shostakovich's unfinished opera Orango Olga Digonskaya; 2. Notes from Shostakovich's diary Olga Dombrovskaya; 3. Mitya Shostakovich's first opus (dating the Scherzo Op. 1) Olga Digonskaya; Part II. Analysis and Interpretation: 4. Shostakovich and structural hearing David Fanning; 5. Socialist realism, modernism and Dmitriy Shostakovich's Odna (Alone, 1929-31) Joan Titus; 6. Shostakovich's politics of D minor and its neighbours, 1931-49 Patrick McCreless; 7. Shostakovich and 'polyphonic' creativity: the Fourteenth Symphony revisited Kristian Hibberd; 8. The poet's echo, the composer's voice: monologic verse or dialogic song? Philip Ross Bullock; Part III. Context: 9. 'Muddle instead of music' in 1936: cataclysm of musical administration Simo Mikkonen; 10. Shostakovich and Dolmatovsky: a last memoir Pauline Fairclough; 11. Shostakovich, Proletkul't and RAPM Levon Hakobian.
Introduction; Part I. Archival Studies: 1. Interrupted masterpiece: Shostakovich's unfinished opera Orango Olga Digonskaya; 2. Notes from Shostakovich's diary Olga Dombrovskaya; 3. Mitya Shostakovich's first opus (dating the Scherzo Op. 1) Olga Digonskaya; Part II. Analysis and Interpretation: 4. Shostakovich and structural hearing David Fanning; 5. Socialist realism, modernism and Dmitriy Shostakovich's Odna (Alone, 1929-31) Joan Titus; 6. Shostakovich's politics of D minor and its neighbours, 1931-49 Patrick McCreless; 7. Shostakovich and 'polyphonic' creativity: the Fourteenth Symphony revisited Kristian Hibberd; 8. The poet's echo, the composer's voice: monologic verse or dialogic song? Philip Ross Bullock; Part III. Context: 9. 'Muddle instead of music' in 1936: cataclysm of musical administration Simo Mikkonen; 10. Shostakovich and Dolmatovsky: a last memoir Pauline Fairclough; 11. Shostakovich, Proletkul't and RAPM Levon Hakobian.
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