Pushtimarg, a Vaishnava sect founded by Vallabhacharya in the 15th century, lays great stress on worship of the deity Shrinathji through the joys of life and living and devotion through kirtan (devotional poem-songs), bhog (offerings of sumptuous food and beverages), shringara (offerings of adornment, through dressing and ornamentation), and decoration and painting. The paintings constitute the Nathdwara school, so named because the image of Shrinathji is enshrined in a temple in Nathdwara, Rajasthan. Shringara of Shrinathji catalogs a set of previously unpublished miniature paintings of the…mehr
Pushtimarg, a Vaishnava sect founded by Vallabhacharya in the 15th century, lays great stress on worship of the deity Shrinathji through the joys of life and living and devotion through kirtan (devotional poem-songs), bhog (offerings of sumptuous food and beverages), shringara (offerings of adornment, through dressing and ornamentation), and decoration and painting. The paintings constitute the Nathdwara school, so named because the image of Shrinathji is enshrined in a temple in Nathdwara, Rajasthan. Shringara of Shrinathji catalogs a set of previously unpublished miniature paintings of the Pushtimarg tradition from the collection of late Shri Gokal Lal Mehta. These 60 splendid artworks were executed by Sukhdev Gaur, the mukhia (chief artist) of the temple, during the dynamic stewardship of Tilkayat Govardhanlalji (1862–1934 AD). Documenting the high degree of skill in draughtsmanship, portraiture and in composition, expositions by artist Amit Ambalal accompany the exceptional, high-quality photographic reproductions of these beautiful paintings in this captivating volume.
Amit Ambalal is an eminent contemporary Indian artist whose work forms part of prestigious collections in India and abroad, including the British Museum and Victoria & Albert Museum, London. He has also authored the landmark volume Krishna as Shrinathji: Rajasthani Paintings from Nathdvara (Mapin, 1987) on the subject of Pushtimarg and Nathdwara paintings and recently written the Foreword to In the Service of Krishna (Mapin, 2019). Vikram Goyal, founder of Viya Home, is one of India’s leading product designers, committed to the preservation of indigenous practices and the country’s cultural heritage. Recipient of multiple design awards, he is also co-founder of Kama Ayurveda. Goyal is the eldest grandchild of late Gokal Lal Mehta, whose collection is featured in this book.
Inhaltsangabe
• Foreword by Vanmala Mehta • From the Mehta Family Chronicles by the Late G.L. Mehta • Nathdwara Painting and the Mehta Family Collection by Amit Ambalal • Vitthalnathji–Gosainji: The Visionary Master • Shrinathji and the Sacred Images of Pushtimarg • The Origins • Bhavanas and Symbolism in Pushtimarg • A Day of Shrinathji • A Year at Nathdwara • Evolution of Art at Nathdwara • Paintings of the Gokal Lal Mehta Collection • Catalogue of Paintings • Index of Paintings • Elements of Shringara • Mukut Design — A Select Sample
• Foreword by Vanmala Mehta • From the Mehta Family Chronicles by the Late G.L. Mehta • Nathdwara Painting and the Mehta Family Collection by Amit Ambalal • Vitthalnathji–Gosainji: The Visionary Master • Shrinathji and the Sacred Images of Pushtimarg • The Origins • Bhavanas and Symbolism in Pushtimarg • A Day of Shrinathji • A Year at Nathdwara • Evolution of Art at Nathdwara • Paintings of the Gokal Lal Mehta Collection • Catalogue of Paintings • Index of Paintings • Elements of Shringara • Mukut Design — A Select Sample
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