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The second instalment of Richard Wagner's best-known work The Ring of Nibelung has been translated by Margaret Armour and is presented in this volume alongside Arthur Rackham's gorgeous illustrations. Siegfried and The Twilight of the Gods are the final two operas in The Ring of the Nibelung cycle. Inspired by the legendary hero of Norse mythology, Sigurd, Wagner's opera portrays a man without fear and his attempt to learn apprehension. Following the narrative is the finale, Götterdämmerung, which is a German translation of the Old Norse phrase Ragnarök, referring to a prophesied war and the…mehr

Produktbeschreibung
The second instalment of Richard Wagner's best-known work The Ring of Nibelung has been translated by Margaret Armour and is presented in this volume alongside Arthur Rackham's gorgeous illustrations. Siegfried and The Twilight of the Gods are the final two operas in The Ring of the Nibelung cycle. Inspired by the legendary hero of Norse mythology, Sigurd, Wagner's opera portrays a man without fear and his attempt to learn apprehension. Following the narrative is the finale, Götterdämmerung, which is a German translation of the Old Norse phrase Ragnarök, referring to a prophesied war and the renewal of the world. Arthur Rackham, a master of the Golden Age of Illustration, provides dreamlike illustrations that refine and elucidate the enthralling final parts of this operatic cycle.
Autorenporträt
Richard Wagner was a German composer and conductor of the 19th century. He was born in Leipzig in 1813 and began studying music at a young age. He later moved to Dresden, where he worked as a conductor and composer. Wagner is best known for his operas, which include Tristan and Isolde, The Ring of the Nibelung, and Parsifal. He was a controversial figure during his lifetime due to his unorthodox views on music and his involvement in revolutionary politics. Wagner was also a prolific writer and commentator on music, art, and politics. In addition to his autobiography, My Life, he wrote several essays on music theory and aesthetics. He is credited with developing the concept of Gesamtkunstwerk, or "total artwork," which incorporates music, drama, and visual elements into a unified whole.