Judith Steinhoff
Sienese Painting After the Black Death
Artistic Pluralism, Politics, and the New Art Market
Judith Steinhoff
Sienese Painting After the Black Death
Artistic Pluralism, Politics, and the New Art Market
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This book provides a new perspective on Sienese painting after the Black Death.
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Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 278
- Erscheinungstermin: 2. Juni 2014
- Englisch
- Abmessung: 251mm x 175mm x 18mm
- Gewicht: 703g
- ISBN-13: 9781107686694
- ISBN-10: 1107686695
- Artikelnr.: 40129454
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Cambridge University Press
- Seitenzahl: 278
- Erscheinungstermin: 2. Juni 2014
- Englisch
- Abmessung: 251mm x 175mm x 18mm
- Gewicht: 703g
- ISBN-13: 9781107686694
- ISBN-10: 1107686695
- Artikelnr.: 40129454
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Judith Steinhoff is Assistant Professor of Art History at the University of Houston. She has contributed to Renaissance Studies, Zeitschrift für Kunstgeschicte, and The Art Bulletin.
Part I. Trecento Art History and Historiography: 1. General introduction
2. Meiss and method: historiography of scholarship on mid-Trecento Sienese painting
Part II. Artists and Patrons: Working Relationship in Transition: 3. Patrons and artists
4. Economic, social and political conditions and the art market after 1348
5. Artists' working relationships in the early Trecento
6. A Sienese 'compagnia', c.1348-63
Part III. Transmission and Transformation of Civic-Religious Imagery
7. The crafting and consolidation of Sienese civic-religious imagery
8. Sienese civic-religious imagery at the mid Trecento
Part IV. Artistic Style: Tradition and Transition: 9. Stylistic pluralism in the 1330s and 1340s
10. The politics of style in the 1350s and 1360s: the case of Santa Maria della Scala
11. Style as iconography: general reflections
Part V. Conclusion.
2. Meiss and method: historiography of scholarship on mid-Trecento Sienese painting
Part II. Artists and Patrons: Working Relationship in Transition: 3. Patrons and artists
4. Economic, social and political conditions and the art market after 1348
5. Artists' working relationships in the early Trecento
6. A Sienese 'compagnia', c.1348-63
Part III. Transmission and Transformation of Civic-Religious Imagery
7. The crafting and consolidation of Sienese civic-religious imagery
8. Sienese civic-religious imagery at the mid Trecento
Part IV. Artistic Style: Tradition and Transition: 9. Stylistic pluralism in the 1330s and 1340s
10. The politics of style in the 1350s and 1360s: the case of Santa Maria della Scala
11. Style as iconography: general reflections
Part V. Conclusion.
Part I. Trecento Art History and Historiography: 1. General introduction
2. Meiss and method: historiography of scholarship on mid-Trecento Sienese painting
Part II. Artists and Patrons: Working Relationship in Transition: 3. Patrons and artists
4. Economic, social and political conditions and the art market after 1348
5. Artists' working relationships in the early Trecento
6. A Sienese 'compagnia', c.1348-63
Part III. Transmission and Transformation of Civic-Religious Imagery
7. The crafting and consolidation of Sienese civic-religious imagery
8. Sienese civic-religious imagery at the mid Trecento
Part IV. Artistic Style: Tradition and Transition: 9. Stylistic pluralism in the 1330s and 1340s
10. The politics of style in the 1350s and 1360s: the case of Santa Maria della Scala
11. Style as iconography: general reflections
Part V. Conclusion.
2. Meiss and method: historiography of scholarship on mid-Trecento Sienese painting
Part II. Artists and Patrons: Working Relationship in Transition: 3. Patrons and artists
4. Economic, social and political conditions and the art market after 1348
5. Artists' working relationships in the early Trecento
6. A Sienese 'compagnia', c.1348-63
Part III. Transmission and Transformation of Civic-Religious Imagery
7. The crafting and consolidation of Sienese civic-religious imagery
8. Sienese civic-religious imagery at the mid Trecento
Part IV. Artistic Style: Tradition and Transition: 9. Stylistic pluralism in the 1330s and 1340s
10. The politics of style in the 1350s and 1360s: the case of Santa Maria della Scala
11. Style as iconography: general reflections
Part V. Conclusion.