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Detective Kate Morgan arrives at a broken-down house, supposedly the site of a suspicious death, only to receive a screaming warning from Simon not to enter the building. Turns out, she had been given the wrong address but does find a dead body at the corrected address. As Kate sorts out whether she has a Black Widow on her most recent case, Simon tries to help a homeless man, who ends up in the morgue-now one of Kate's newest files because that poor man's body had been found in the broken-down house. That's nothing compared to what else she finds on the premises. Kate's investigations into…mehr

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Produktbeschreibung
Detective Kate Morgan arrives at a broken-down house, supposedly the site of a suspicious death, only to receive a screaming warning from Simon not to enter the building. Turns out, she had been given the wrong address but does find a dead body at the corrected address. As Kate sorts out whether she has a Black Widow on her most recent case, Simon tries to help a homeless man, who ends up in the morgue-now one of Kate's newest files because that poor man's body had been found in the broken-down house. That's nothing compared to what else she finds on the premises. Kate's investigations into these deaths confirms the two properties have connections, including linking Simon to the haunted history of the broken-down house. ¿¿¿¿¿¿¿ When yet another homeless man is found dead at the broken-down house, Kate struggles to sort out the different threads, before the next man is killed-and this one might not be so homeless ...
Autorenporträt
Hey there. I'm a Canadian USA Today best-selling author, and I love writing for everyone-whether you're young, old, or somewhere in between. My books? Well, they're a mixed bag. Some are steamy, some are sweet, and a few might have you sleeping with the lights on. Others are perfect for snuggling up with.I've never been one to color inside the lines or stick to a single path. I embrace the wild stories that pop into my head, even if they break the rules and dance across genres. A few years ago, I switched to dictating my stories because my fingers were starting to feel the impact of my steady 10,000 words a day. Dictating is linear, so it silences my internal editor. You can't stop to ensure something is perfect or to see what needs changing-you must continue onward. This approach has allowed me to let my muse take the lead and to feel the story pour from my heart. My mind steps in during the editing process, but, until then, it's all about letting the characters direct the story. That's why my stories have that existential feel of a Dale Mayer book.And you know what? That's totally okay with me.One thing's for sure: every book I write promises to be a great read, every single time.