It's taken some time, but Detective Kate Morgan's various relationships are gelling at work-and even at home. Until Simon starts screaming in the middle of the night. Worried and not sure she's up for this, Kate distances herself from him. When a tortured female body shows up, Simon's visions are of no help, until he describes one specific injury, ... the same injury on Kate's latest case. A case getting weirder as more is uncovered. A similar tortured death happened more than a decade ago, where the killer was caught and served time. As a suspect he looks good for this current case because…mehr
It's taken some time, but Detective Kate Morgan's various relationships are gelling at work-and even at home. Until Simon starts screaming in the middle of the night. Worried and not sure she's up for this, Kate distances herself from him. When a tortured female body shows up, Simon's visions are of no help, until he describes one specific injury, ... the same injury on Kate's latest case. A case getting weirder as more is uncovered. A similar tortured death happened more than a decade ago, where the killer was caught and served time. As a suspect he looks good for this current case because he's now out and back in society. Except he has a solid alibi ... This isn't the only victim though, and, as the Vancouver PD Homicide Unit digs deeper, Kate's team finds several more cases-all with connections to the same suspect. But Kate's still not convinced. Too much more is going on, and she's determined to get to the bottom of this, before someone else dies a painful death ...
Hey there. I'm a Canadian USA Today best-selling author, and I love writing for everyone-whether you're young, old, or somewhere in between. My books? Well, they're a mixed bag. Some are steamy, some are sweet, and a few might have you sleeping with the lights on. Others are perfect for snuggling up with.I've never been one to color inside the lines or stick to a single path. I embrace the wild stories that pop into my head, even if they break the rules and dance across genres. A few years ago, I switched to dictating my stories because my fingers were starting to feel the impact of my steady 10,000 words a day. Dictating is linear, so it silences my internal editor. You can't stop to ensure something is perfect or to see what needs changing-you must continue onward. This approach has allowed me to let my muse take the lead and to feel the story pour from my heart. My mind steps in during the editing process, but, until then, it's all about letting the characters direct the story. That's why my stories have that existential feel of a Dale Mayer book.And you know what? That's totally okay with me.One thing's for sure: every book I write promises to be a great read, every single time.
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