This invaluable text breaks down complicated singing concepts with 64 specific vocal exercises designed to overcome faults and to develop vocal virtuosity. Drawings, musical examples, anatomical illustrations, and copious photographs of opera stars are also included.
This invaluable text breaks down complicated singing concepts with 64 specific vocal exercises designed to overcome faults and to develop vocal virtuosity. Drawings, musical examples, anatomical illustrations, and copious photographs of opera stars are also included.
Dan H. Marek is a distinguished international singer, teacher, and writer who has appeared as a principal tenor at the Metropolitan Opera, New York City Opera, and the Salzburg Opera. He is a teacher of voice at Mannes College of Music in New York City and is the author of Singing: The First Art (Scarecrow, 2006) and Giovanni Battista Rubini and the Bel Canto Tenors:History and Technique (Scarecrow, 2013).
Inhaltsangabe
Part 1 List of Exercises Part 2 List of Musical Examples Part 3 List of Illustrations Part 4 Acknowledgments Part 5 Practical Advice Part 6 Introduction Part 7 PART I: THE HISTORICAL BACKGROUND OF THE ART OF SINGING Chapter 8 1 The Art of Singing in the Ancient World Chapter 9 2 The Age of Bel Canto Chapter 10 3 The Age of Grand Opera Chapter 11 4 Wagner, Verdi, Virgins, and Verismo Chapter 12 5 Modern Times Chapter 13 6 The Age of the Machine Part 14 PART II: VOCAL TECHNIQUE Chapter 15 7 Appoggio: The Historical Bel Canto Method of Breathing Chapter 16 8 The Primary Vibration Chapter 17 9 The Mechanical Registers Chapter 18 10 The Acoustical Registers Chapter 19 11 Applications Part 20 Glossary Part 21 Bibliography Part 22 Name Index Part 23 Subject Index Part 24 About the Author
Part 1 List of Exercises Part 2 List of Musical Examples Part 3 List of Illustrations Part 4 Acknowledgments Part 5 Practical Advice Part 6 Introduction Part 7 PART I: THE HISTORICAL BACKGROUND OF THE ART OF SINGING Chapter 8 1 The Art of Singing in the Ancient World Chapter 9 2 The Age of Bel Canto Chapter 10 3 The Age of Grand Opera Chapter 11 4 Wagner, Verdi, Virgins, and Verismo Chapter 12 5 Modern Times Chapter 13 6 The Age of the Machine Part 14 PART II: VOCAL TECHNIQUE Chapter 15 7 Appoggio: The Historical Bel Canto Method of Breathing Chapter 16 8 The Primary Vibration Chapter 17 9 The Mechanical Registers Chapter 18 10 The Acoustical Registers Chapter 19 11 Applications Part 20 Glossary Part 21 Bibliography Part 22 Name Index Part 23 Subject Index Part 24 About the Author
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