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In this essay, Byung-Chul Han criticizes how the excess positivity of happiness forces us to negate any glimpse of pain and subjects us to a state of permanent anesthesia. Today we live in a society that has developed a phobia of pain, in which there is no longer room for suffering. This widespread fear is reflected both personally and socially, and even in politics. The neoliberal imperative be happy, which hides a demand for performance, tries to avoid any painful state and pushes us into a state of permanent anesthesia. As he reflects in The Society of Tiredness, Byung-Chul Han is part of…mehr

Produktbeschreibung
In this essay, Byung-Chul Han criticizes how the excess positivity of happiness forces us to negate any glimpse of pain and subjects us to a state of permanent anesthesia. Today we live in a society that has developed a phobia of pain, in which there is no longer room for suffering. This widespread fear is reflected both personally and socially, and even in politics. The neoliberal imperative be happy, which hides a demand for performance, tries to avoid any painful state and pushes us into a state of permanent anesthesia. As he reflects in The Society of Tiredness, Byung-Chul Han is part of the assumption that there has been a radical paradigm shift in the West. Premodern societies had a very intimate relationship with pain and death, which they faced with dignity and resignation. Today, however, the positivity of happiness surpasses the negativity of pain, and extends to the social sphere. By expelling from public life conflicts and controversies, which could lead to painful confrontations, a post-democracy is established, which is at heart a palliative democracy.
Autorenporträt
Byung-Chul Han (Seúl, Corea del Sur, 1959), estudió Filosofía en la Universidad de Friburgo y Literatura alemana y Teología en la Universidad de Múnich. En 1994 se doctoró por la primera de dichas universidades con una tesis sobre Martin Heidegger. Tras su habilitación dio clases de filosofía en la universidad de Basilea, desde 2010 fue profesor de filosofía y teoría de los medios en la Escuela Superior de Diseño de Karlsruhe y desde 2012 es profesor de Filosofía y Estudios culturales en la Universidad de las Artes de Berlín. Es autor de más de una decena de títulos, la mayoría de los cuales se han traducido al castellano en Herder Editorial.