Something Complete and Great
The Centennial Study of My Ántonia
Herausgeber: Humes, Holly Blackford
Something Complete and Great
The Centennial Study of My Ántonia
Herausgeber: Humes, Holly Blackford
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
This volume situates My Ántonia as a novel that stands the test of time by including in its pages an extraordinarily wide range of historical, cultural, literary, psychological, thematic, perceptual, and stylistic issues. The volume provides an analysis and assessment of complexities in the novel as well as its reception and legacy.
Andere Kunden interessierten sich auch für
Something Complete and Great57,99 €
V. J. ColeThe Modern Ignoramus10,99 €
Willa Cather and Aestheticism61,99 €
Sylvia MayerBeyond Uncle Tom's Cabin63,99 €
Willa Cather and Aestheticism120,99 €
Fredric JamesonMarxism and Form44,99 €
T. S. Eliot and Christian Tradition133,99 €-
-
-
This volume situates My Ántonia as a novel that stands the test of time by including in its pages an extraordinarily wide range of historical, cultural, literary, psychological, thematic, perceptual, and stylistic issues. The volume provides an analysis and assessment of complexities in the novel as well as its reception and legacy.
Produktdetails
- Produktdetails
- Verlag: Fairleigh Dickinson University Press
- Seitenzahl: 320
- Erscheinungstermin: 1. Dezember 2017
- Englisch
- Abmessung: 235mm x 157mm x 22mm
- Gewicht: 616g
- ISBN-13: 9781683931256
- ISBN-10: 1683931254
- Artikelnr.: 49019361
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Fairleigh Dickinson University Press
- Seitenzahl: 320
- Erscheinungstermin: 1. Dezember 2017
- Englisch
- Abmessung: 235mm x 157mm x 22mm
- Gewicht: 616g
- ISBN-13: 9781683931256
- ISBN-10: 1683931254
- Artikelnr.: 49019361
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Holly Blackford is professor of English and writing director at Rutgers University.
Introduction. "Cather's Sod House of Fiction," by Holly Blackford
Part I. Translation
Chapter 1. "Willa Cather's Shifting Reactions to the Reception of My
Ántonia: What the Letters Tell Us," by Janis P. Stout
Chapter 2. "People in countries who read it in the strangest languages":
the International Reception of My Ántonia," by Caterina Bernardini
Chapter 3. "Lost in Translation: The Mother Tongue in My Ántonia," by Diane
Prenatt
Part II. Tradition
Chapter 4. "Live Property": Cather's 1926 Revisions to the Introduction of
My Ántonia and the Specter of Nineteenth-Century Women's Regionalism," by
Melissa J. Homestead
Chapter 5. "Violence in the Pastoral: Darkness in the Narrative Structure
of My Ántonia," by Sarah L. Young
Part III. Transgender
Chapter 6. "Boyhood and the Frontier: Nostalgia and Play in My Ántonia," by
Martin
Woodside
Chapter 7. "The Nebraskan Neverland: The Archeology of Children's Fantasy
Fiction in My Ántonia," by Holly Blackford
Chapter 8. "'Obliterating Strangeness': Cather, Capote, and the Burden of
My Ántonia," by Thomas Fahy
Part III: Transhuman
Chapter 9. "Beyond Gender, Between Persons: Intersubjective Desire in My
Ántonia," by Monroe Street
Chapter 10. "The Image of Nature in the Past in My Ántonia," by Fangyuan Xi
Chapter 11. "My Ántonia: Keatsian Negative Capability and the Dissolution
of Boundaries," by Jim Cody
Part IV: Transition
Chapter 12. "A Portrait of a Self-Made Woman: Lena Lingard in My Ántonia,"
by Keiko Arai
Chapter 13. "The Gift Economies of My Ántonia," by Dana Woodcock and
Zachary Tavlin
Bibliography
About the Contributors
Part I. Translation
Chapter 1. "Willa Cather's Shifting Reactions to the Reception of My
Ántonia: What the Letters Tell Us," by Janis P. Stout
Chapter 2. "People in countries who read it in the strangest languages":
the International Reception of My Ántonia," by Caterina Bernardini
Chapter 3. "Lost in Translation: The Mother Tongue in My Ántonia," by Diane
Prenatt
Part II. Tradition
Chapter 4. "Live Property": Cather's 1926 Revisions to the Introduction of
My Ántonia and the Specter of Nineteenth-Century Women's Regionalism," by
Melissa J. Homestead
Chapter 5. "Violence in the Pastoral: Darkness in the Narrative Structure
of My Ántonia," by Sarah L. Young
Part III. Transgender
Chapter 6. "Boyhood and the Frontier: Nostalgia and Play in My Ántonia," by
Martin
Woodside
Chapter 7. "The Nebraskan Neverland: The Archeology of Children's Fantasy
Fiction in My Ántonia," by Holly Blackford
Chapter 8. "'Obliterating Strangeness': Cather, Capote, and the Burden of
My Ántonia," by Thomas Fahy
Part III: Transhuman
Chapter 9. "Beyond Gender, Between Persons: Intersubjective Desire in My
Ántonia," by Monroe Street
Chapter 10. "The Image of Nature in the Past in My Ántonia," by Fangyuan Xi
Chapter 11. "My Ántonia: Keatsian Negative Capability and the Dissolution
of Boundaries," by Jim Cody
Part IV: Transition
Chapter 12. "A Portrait of a Self-Made Woman: Lena Lingard in My Ántonia,"
by Keiko Arai
Chapter 13. "The Gift Economies of My Ántonia," by Dana Woodcock and
Zachary Tavlin
Bibliography
About the Contributors
Introduction. "Cather's Sod House of Fiction," by Holly Blackford
Part I. Translation
Chapter 1. "Willa Cather's Shifting Reactions to the Reception of My
Ántonia: What the Letters Tell Us," by Janis P. Stout
Chapter 2. "People in countries who read it in the strangest languages":
the International Reception of My Ántonia," by Caterina Bernardini
Chapter 3. "Lost in Translation: The Mother Tongue in My Ántonia," by Diane
Prenatt
Part II. Tradition
Chapter 4. "Live Property": Cather's 1926 Revisions to the Introduction of
My Ántonia and the Specter of Nineteenth-Century Women's Regionalism," by
Melissa J. Homestead
Chapter 5. "Violence in the Pastoral: Darkness in the Narrative Structure
of My Ántonia," by Sarah L. Young
Part III. Transgender
Chapter 6. "Boyhood and the Frontier: Nostalgia and Play in My Ántonia," by
Martin
Woodside
Chapter 7. "The Nebraskan Neverland: The Archeology of Children's Fantasy
Fiction in My Ántonia," by Holly Blackford
Chapter 8. "'Obliterating Strangeness': Cather, Capote, and the Burden of
My Ántonia," by Thomas Fahy
Part III: Transhuman
Chapter 9. "Beyond Gender, Between Persons: Intersubjective Desire in My
Ántonia," by Monroe Street
Chapter 10. "The Image of Nature in the Past in My Ántonia," by Fangyuan Xi
Chapter 11. "My Ántonia: Keatsian Negative Capability and the Dissolution
of Boundaries," by Jim Cody
Part IV: Transition
Chapter 12. "A Portrait of a Self-Made Woman: Lena Lingard in My Ántonia,"
by Keiko Arai
Chapter 13. "The Gift Economies of My Ántonia," by Dana Woodcock and
Zachary Tavlin
Bibliography
About the Contributors
Part I. Translation
Chapter 1. "Willa Cather's Shifting Reactions to the Reception of My
Ántonia: What the Letters Tell Us," by Janis P. Stout
Chapter 2. "People in countries who read it in the strangest languages":
the International Reception of My Ántonia," by Caterina Bernardini
Chapter 3. "Lost in Translation: The Mother Tongue in My Ántonia," by Diane
Prenatt
Part II. Tradition
Chapter 4. "Live Property": Cather's 1926 Revisions to the Introduction of
My Ántonia and the Specter of Nineteenth-Century Women's Regionalism," by
Melissa J. Homestead
Chapter 5. "Violence in the Pastoral: Darkness in the Narrative Structure
of My Ántonia," by Sarah L. Young
Part III. Transgender
Chapter 6. "Boyhood and the Frontier: Nostalgia and Play in My Ántonia," by
Martin
Woodside
Chapter 7. "The Nebraskan Neverland: The Archeology of Children's Fantasy
Fiction in My Ántonia," by Holly Blackford
Chapter 8. "'Obliterating Strangeness': Cather, Capote, and the Burden of
My Ántonia," by Thomas Fahy
Part III: Transhuman
Chapter 9. "Beyond Gender, Between Persons: Intersubjective Desire in My
Ántonia," by Monroe Street
Chapter 10. "The Image of Nature in the Past in My Ántonia," by Fangyuan Xi
Chapter 11. "My Ántonia: Keatsian Negative Capability and the Dissolution
of Boundaries," by Jim Cody
Part IV: Transition
Chapter 12. "A Portrait of a Self-Made Woman: Lena Lingard in My Ántonia,"
by Keiko Arai
Chapter 13. "The Gift Economies of My Ántonia," by Dana Woodcock and
Zachary Tavlin
Bibliography
About the Contributors







