Andrew Davis's career includes eight years in primary schools, six at Cambridge University and over twenty at Durham University where he is a Research Fellow. He has worked for the Quality Assurance Agency as a Subject Specialist Reviewer and directed Argument Matters, a strand of the National Academy for Gifted and Talented Youth Durham summer school for four years. He is Assistant Editor of the Journal of Philosophy of Education and secretary of the Durham Branch of the Philosophy of Education Society of Great Britain.
Inhaltsangabe
Introduction: Romantic Musical Discourse, Or, A Rhetoric Of Romantic Music Part I. Fragmentation and Atemporality 1. Fragmentation: Aesthetics of Nineteenth-Century Romanticism 2. Atemporality in Narrative and Music Part II. Structural and Rhetorical Strategies in Music with and Without Text 3. Music With Text: Two Slow Movements by Brahms 4. Music Without Text: Forms of Atemporality Part III. Brahms's Piano Sonatas 5. Treatment of the Medial Caesura 6. Treatment of the S-Space 7. Treatment of the Development and Recapitulation 8. Treatment of the Slow Introduction and Coda Conclusion Selected Bibliography Index
Introduction: Romantic Musical Discourse, Or, A Rhetoric Of Romantic Music Part I. Fragmentation and Atemporality 1. Fragmentation: Aesthetics of Nineteenth-Century Romanticism 2. Atemporality in Narrative and Music Part II. Structural and Rhetorical Strategies in Music with and Without Text 3. Music With Text: Two Slow Movements by Brahms 4. Music Without Text: Forms of Atemporality Part III. Brahms's Piano Sonatas 5. Treatment of the Medial Caesura 6. Treatment of the S-Space 7. Treatment of the Development and Recapitulation 8. Treatment of the Slow Introduction and Coda Conclusion Selected Bibliography Index
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