Sonetti burleschi e realistici dei primi due secoli - Francesco, Massera Aldo
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Sonetti burleschi e realistici dei primi due secoli, Volume 1, offers a fascinating glimpse into the world of early Italian burlesque and realistic poetry. Edited by Aldo Francesco Massera, this collection showcases the wit, satire, and social commentary found in the sonnets of the first two centuries of their existence. The volume provides invaluable insights into the cultural and literary landscape of the time. Exploring themes of everyday life, human foibles, and societal norms, these sonnets offer a unique perspective on the evolution of Italian poetry and its enduring appeal. For scholars…mehr

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Sonetti burleschi e realistici dei primi due secoli, Volume 1, offers a fascinating glimpse into the world of early Italian burlesque and realistic poetry. Edited by Aldo Francesco Massera, this collection showcases the wit, satire, and social commentary found in the sonnets of the first two centuries of their existence. The volume provides invaluable insights into the cultural and literary landscape of the time. Exploring themes of everyday life, human foibles, and societal norms, these sonnets offer a unique perspective on the evolution of Italian poetry and its enduring appeal. For scholars and enthusiasts of Italian literature, this anthology provides a rich resource for understanding the historical and artistic significance of these early poetic forms. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.