Provides a survey of syncretic, or "fusion" musics, such as Aboriginal Rock or "Jawaiian" Reggae, across the entire Pacific region. The text includes an in-depth look at Yothu Yindi, a band which has made it into the mainstream music scene. An anthology of essays on the new syncretic, or "fusion", styles of music of the indigenous peoples of the Pacific region, who have adopted forms of popular music as an expression of their cultural identity.
Provides a survey of syncretic, or "fusion" musics, such as Aboriginal Rock or "Jawaiian" Reggae, across the entire Pacific region. The text includes an in-depth look at Yothu Yindi, a band which has made it into the mainstream music scene.An anthology of essays on the new syncretic, or "fusion", styles of music of the indigenous peoples of the Pacific region, who have adopted forms of popular music as an expression of their cultural identity.
Philip Hayward is Professor in the School of Arts and Social Sciences at Southern Cross University, Australia.
Inhaltsangabe
Introduction: Beyond the Axis Philip Hayward Part I - Music, Identity and Cultural Politics 1. Tjungaringanyi: Aboriginal Rock (1971-91) John Castles 2. He Waiata Na Aotearoa: Maori and Pacific Islander Music in Aotearoa/New Zealand Tony Mitchell 3. Indigenization and Socio-political Identity in the Kaneka Music of New Caledonia David Goldsworthy 4. Koori Music in Melbourne: Culture, Politics and Certainty Robin Ryan 5. Jawaiian Music and Local Cultural Identity in Hawai'i Andrew N. Weintraub 6. Hula Hits, Local Music and Local Charts: Some Dynamics of Popular Hawaiian Music Amy Ku'uleialoha Stillman Part II - Music, Commerce and the Media Industries 7. Developments in Papua New Guinea's Popular Music Industry Malcolm Philpott 8. Questions of Music Copyright in Papua New Guinea Don Niles 9. Te Wa Whakapaoho I te Reo Irirangi: Some Directions in Maori Radio Helen Wilson 10. A New Tradition: Titus Tilly and the Development of Music Video in Papua New Guinea Philip Hayward 11. The Proud Project and the 'Otara Sound': Maori and Polynesian Pop in the Mid 1990s Tony Mitchell Part III - Access to the Mainstream: The Case of Yothu Yindi 12. Yothu Yindi: Context and Significance Philip Hayward and Karl Neuenfeldt 13. Culture, Custom and Collaboration: The Production of Yothu Yindi's 'Treaty' Videos Lisa Nicol 14. Safe, Exotic and Somewhere Else: Yothu Yindi, 'Treaty' and the Mediation of Aboriginality Philip Hayward 15. Yothu Yindi: Agendas and Aspirations Karl Neuenfeldt Bibliography Index
Introduction: Beyond the Axis Philip Hayward Part I - Music, Identity and Cultural Politics 1. Tjungaringanyi: Aboriginal Rock (1971-91) John Castles 2. He Waiata Na Aotearoa: Maori and Pacific Islander Music in Aotearoa/New Zealand Tony Mitchell 3. Indigenization and Socio-political Identity in the Kaneka Music of New Caledonia David Goldsworthy 4. Koori Music in Melbourne: Culture, Politics and Certainty Robin Ryan 5. Jawaiian Music and Local Cultural Identity in Hawai'i Andrew N. Weintraub 6. Hula Hits, Local Music and Local Charts: Some Dynamics of Popular Hawaiian Music Amy Ku'uleialoha Stillman Part II - Music, Commerce and the Media Industries 7. Developments in Papua New Guinea's Popular Music Industry Malcolm Philpott 8. Questions of Music Copyright in Papua New Guinea Don Niles 9. Te Wa Whakapaoho I te Reo Irirangi: Some Directions in Maori Radio Helen Wilson 10. A New Tradition: Titus Tilly and the Development of Music Video in Papua New Guinea Philip Hayward 11. The Proud Project and the 'Otara Sound': Maori and Polynesian Pop in the Mid 1990s Tony Mitchell Part III - Access to the Mainstream: The Case of Yothu Yindi 12. Yothu Yindi: Context and Significance Philip Hayward and Karl Neuenfeldt 13. Culture, Custom and Collaboration: The Production of Yothu Yindi's 'Treaty' Videos Lisa Nicol 14. Safe, Exotic and Somewhere Else: Yothu Yindi, 'Treaty' and the Mediation of Aboriginality Philip Hayward 15. Yothu Yindi: Agendas and Aspirations Karl Neuenfeldt Bibliography Index
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