Sound and the Ancient Senses makes a significant contribution to the burgeoning field of Sense Studies and, in particular, its application to the ancient world.
Sound and the Ancient Senses makes a significant contribution to the burgeoning field of Sense Studies and, in particular, its application to the ancient world.
Shane Butler is Nancy H. and Robert E. Hall Professor in the Humanities and Professor and Chair of Classics at Johns Hopkins University, USA. He is the author, most recently, of The Ancient Phonograph (2015), and editor of Deep Classics: Rethinking Classical Reception (2016). He is also co-editor, with Mark Bradley, of this series, as well as being co-editor, with Alex Purves, of its first volume, Synaesthesia and the Ancient Senses (2013). Sarah Nooter is Associate Professor of Classics, and of Theater and Performance Studies, at the University of Chicago, USA. She is the author of When Heroes Sing: Sophocles and the Shifting Soundscape of Tragedy (2012) and The Mortal Voice in the Tragedies of Aeschylus (2017).
Inhaltsangabe
Introduction: Sounding hearing Part I. Ancient Soundscapes 1. The sound of the sacred 2. Hearing ancient sounds through modern ears 3. Sounding out public space in Late Republican Rome 4. Vocal expression in Roman mourning Part II. Theories of Sound 5. Sound: an Aristotelian perspective 6. Greek acoustic theory: Simple and complex sounds 7. The soundscape of ancient Greek healing 8. Lucretius on sound Part III. Philology and Sound 9. Gods and vowels 10. The song of the Sirens between sound and sense 11. Auditory philology 12. Sounds of the stage 13. The erogenous ear 14. Principles of sound reading
Introduction: Sounding hearing Part I. Ancient Soundscapes 1. The sound of the sacred 2. Hearing ancient sounds through modern ears 3. Sounding out public space in Late Republican Rome 4. Vocal expression in Roman mourning Part II. Theories of Sound 5. Sound: an Aristotelian perspective 6. Greek acoustic theory: Simple and complex sounds 7. The soundscape of ancient Greek healing 8. Lucretius on sound Part III. Philology and Sound 9. Gods and vowels 10. The song of the Sirens between sound and sense 11. Auditory philology 12. Sounds of the stage 13. The erogenous ear 14. Principles of sound reading
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