Lilya Kaganovsky is Associate Professor of Slavic, Comparative Literature, and Media and Cinema Studies at the University of Illinois, Urbana-Champaign. She is author of How the Soviet Man Was Unmade. Masha Salazkina is Research Chair in Transnational Media Arts and Culture at Concordia University, Montreal. She is author of In Excess: Sergei Eisenstein¿s Mexico and has published in Cinema Journal, Screen, October, and KinoKultura.
Lilya Kaganovsky is Associate Professor of Slavic, Comparative Literature, and Media and Cinema Studies at the University of Illinois, Urbana-Champaign. She is author of How the Soviet Man Was Unmade. Masha Salazkina is Research Chair in Transnational Media Arts and Culture at Concordia University, Montreal. She is author of In Excess: Sergei Eisenstein¿s Mexico and has published in Cinema Journal, Screen, October, and KinoKultura.
Lilya Kaganovsky is Associate Professor of Slavic, Comparative Literature, and Media and Cinema Studies at the University of Illinois, Urbana-Champaign. She is author of How the Soviet Man Was Unmade. Masha Salazkina is Research Chair in Transnational Media Arts and Culture at Concordia University, Montreal. She is author of In Excess: Sergei Eisenstein's Mexico and has published in Cinema Journal, Screen, October, and KinoKultura.
Inhaltsangabe
Acknowledgements Note on Transliteration List of Abbreviations Introduction / Masha Salazkina Part I: From Silence to Sound 1. From the History of Graphic Sound in the USSR or Media without a Medium / Nikolai Izvolov 2. Silents, Sound, and Modernism in Dmitry Shostakovich's Score to The New Babylon / Joan Titus 3. To Catch up and Overtake Hollywood: Early Talking Pictures in the Soviet Union / Valerie Pozner 4. ARRK and the Soviet Transition to Sound / Natalia Ryabchikova 5. Making Sense without Speech: The Use of Silence in Early Soviet Sound Film / Emma Widdis Part II: Speech and Voice 6. The Problem of Heteroglossia in Early Soviet Sound Cinema (1930-1935) / Evgeny Margolit 7. Challenging the Voice-of-God in World War II Era Soviet Documentaries / Jeremy Hicks 8. Vocal Changes: Marlon Brando, Innokenti Smoktunovsky, and The Sound of The 1950s / Oksana Bulgakowa 9. Listening to the Inaudible Foreign: Simultaneous Translators and Soviet Experience of Foreign Cinema / Elena Razlogova Part III: Music in Film, or the Soundtrack 10. Kinomuzyka: Theorizing Soviet Film Music in the 1930s / Kevin Bartig 11. Ear of the Beholder: Listening in Muzykal'naia istoriia (1940) / Anna Nisnevich 12. The Music of Landscape: Eisenstein, Prokofiev and the Uses of Music in Ivan The Terrible / Joan Neuberger 13. The Full Illusion of Reality: Repentance, Polystylism, and the Late Soviet Soundscape / Peter Schmelz 14. Russian Rock on Soviet Bones / Lilya Kaganovsky Bibliography Contributors Index
Acknowledgements Note on Transliteration List of Abbreviations Introduction / Masha Salazkina Part I: From Silence to Sound 1. From the History of Graphic Sound in the USSR or Media without a Medium / Nikolai Izvolov 2. Silents, Sound, and Modernism in Dmitry Shostakovich's Score to The New Babylon / Joan Titus 3. To Catch up and Overtake Hollywood: Early Talking Pictures in the Soviet Union / Valerie Pozner 4. ARRK and the Soviet Transition to Sound / Natalia Ryabchikova 5. Making Sense without Speech: The Use of Silence in Early Soviet Sound Film / Emma Widdis Part II: Speech and Voice 6. The Problem of Heteroglossia in Early Soviet Sound Cinema (1930-1935) / Evgeny Margolit 7. Challenging the Voice-of-God in World War II Era Soviet Documentaries / Jeremy Hicks 8. Vocal Changes: Marlon Brando, Innokenti Smoktunovsky, and The Sound of The 1950s / Oksana Bulgakowa 9. Listening to the Inaudible Foreign: Simultaneous Translators and Soviet Experience of Foreign Cinema / Elena Razlogova Part III: Music in Film, or the Soundtrack 10. Kinomuzyka: Theorizing Soviet Film Music in the 1930s / Kevin Bartig 11. Ear of the Beholder: Listening in Muzykal'naia istoriia (1940) / Anna Nisnevich 12. The Music of Landscape: Eisenstein, Prokofiev and the Uses of Music in Ivan The Terrible / Joan Neuberger 13. The Full Illusion of Reality: Repentance, Polystylism, and the Late Soviet Soundscape / Peter Schmelz 14. Russian Rock on Soviet Bones / Lilya Kaganovsky Bibliography Contributors Index
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