Sounding the Abyss achieves an analysis that extends Cavell's already rich range of work into surprising new directions in postcolonialism, multiculturalism, and general cultural criticism. The work never strays from its concern with reassessing the divide between philosophy's analytic and Continental factions.
Sounding the Abyss achieves an analysis that extends Cavell's already rich range of work into surprising new directions in postcolonialism, multiculturalism, and general cultural criticism. The work never strays from its concern with reassessing the divide between philosophy's analytic and Continental factions.
Roger Bell is Professor of Philosophy at Sonoma State University.
Inhaltsangabe
1 Introduction: Illustrating the Differences: Mark Tansey's Derrida Queries DeMan Chapter 2 Reading Cavell's Origins for American Philosophy from the Margins of Nineteenth-Century Literature of the Pacific Chapter 3 Cavell Voices His Differences with Derrida's Deconstruction: Across Viewings of Cukor's Gaslight Chapter 4 Autobiographically It Comes Down to Austin: Cavell Puts an Ear to Sec Chapter 5 Opera, Postcolonial Identities, and Closing Philosophy's Umbrellas 6 Appendix: Rorty on Derrida: A Discourse of Simulated Moderation
1 Introduction: Illustrating the Differences: Mark Tansey's Derrida Queries DeMan Chapter 2 Reading Cavell's Origins for American Philosophy from the Margins of Nineteenth-Century Literature of the Pacific Chapter 3 Cavell Voices His Differences with Derrida's Deconstruction: Across Viewings of Cukor's Gaslight Chapter 4 Autobiographically It Comes Down to Austin: Cavell Puts an Ear to Sec Chapter 5 Opera, Postcolonial Identities, and Closing Philosophy's Umbrellas 6 Appendix: Rorty on Derrida: A Discourse of Simulated Moderation
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