South Africa, Greece, Rome
Classical Confrontations
Herausgeber: Parker, Grant
South Africa, Greece, Rome
Classical Confrontations
Herausgeber: Parker, Grant
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This book explores how since colonial times South Africa has created its own vernacular classicism, both in creative media and everyday life.
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This book explores how since colonial times South Africa has created its own vernacular classicism, both in creative media and everyday life.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 566
- Erscheinungstermin: 31. August 2017
- Englisch
- Abmessung: 260mm x 184mm x 31mm
- Gewicht: 1320g
- ISBN-13: 9781107100817
- ISBN-10: 110710081X
- Artikelnr.: 47721469
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Cambridge University Press
- Seitenzahl: 566
- Erscheinungstermin: 31. August 2017
- Englisch
- Abmessung: 260mm x 184mm x 31mm
- Gewicht: 1320g
- ISBN-13: 9781107100817
- ISBN-10: 110710081X
- Artikelnr.: 47721469
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
1. The Azanian Muse: classicism in unexpected places Grant Parker; Part I.
Conceiving Empire: 2. 'Poetry in pidgin': notes on the persistence of
classicism in the architecture of Johannesburg Federico Freschi; 3. Cecil
John Rhodes, the classics, and imperialism John Hilton; 4. The
'Mediterranean' Cape: reconstructing an ethos Peter Merrington; Part II.
Conceiving the Nation: 5. 'Copy nothing': classical ideals and Afrikaner
ideologies at the Voortrekker Monument Elizabeth Rankin and Rolf Michael
Schneider; 6. Greeks, Romans, and Volks-education in the Afrikaner
Kinderensiklopedie Philip R. Bosman; Part III. Law, Virtue and
Truth-Telling: 7. A competing discourse on empire Jonathan Allen; 8. After
Cicero: legal thought from antiquity to the New Constitution Deon H. van
Zyl; Part IV. Cultures of Collecting: 9. Museum space and displacement:
collecting classical antiquities in South Africa Samantha Masters; 10.
Antique casts for a colonial gallery: the Beit bequest of classical
statuary to Cape Town Anna Tietze; 11. Cecil Rhodes as a reader of the
classics: the Groote Schuur collection David Wardle; Part V. Boundary
Crossers: 12. 'You are people like these Romans were!': D. D. T. Jabavu of
Fort Hare Jo-Marie Claassen; 13. Benjamin Farrington and the science of the
swerve John Atkinson; 14. Athens and apartheid: Mary Renault and classics
in South Africa Nikolai Endres; 15. Antiquity's undertone: classical
resonances in the poetry of Douglas Livingstone Kathleen M. Coleman; Part
VI. After Apartheid: 16. Bacchus at Kirstenbosch: reflections of a play
director Roy Sargeant; 17. The reception of the Electra myth in Yaël
Farber's Molora Elke Steinmeyer; 18. Classical heritage? By the way of an
afterword Grant Parker.
Conceiving Empire: 2. 'Poetry in pidgin': notes on the persistence of
classicism in the architecture of Johannesburg Federico Freschi; 3. Cecil
John Rhodes, the classics, and imperialism John Hilton; 4. The
'Mediterranean' Cape: reconstructing an ethos Peter Merrington; Part II.
Conceiving the Nation: 5. 'Copy nothing': classical ideals and Afrikaner
ideologies at the Voortrekker Monument Elizabeth Rankin and Rolf Michael
Schneider; 6. Greeks, Romans, and Volks-education in the Afrikaner
Kinderensiklopedie Philip R. Bosman; Part III. Law, Virtue and
Truth-Telling: 7. A competing discourse on empire Jonathan Allen; 8. After
Cicero: legal thought from antiquity to the New Constitution Deon H. van
Zyl; Part IV. Cultures of Collecting: 9. Museum space and displacement:
collecting classical antiquities in South Africa Samantha Masters; 10.
Antique casts for a colonial gallery: the Beit bequest of classical
statuary to Cape Town Anna Tietze; 11. Cecil Rhodes as a reader of the
classics: the Groote Schuur collection David Wardle; Part V. Boundary
Crossers: 12. 'You are people like these Romans were!': D. D. T. Jabavu of
Fort Hare Jo-Marie Claassen; 13. Benjamin Farrington and the science of the
swerve John Atkinson; 14. Athens and apartheid: Mary Renault and classics
in South Africa Nikolai Endres; 15. Antiquity's undertone: classical
resonances in the poetry of Douglas Livingstone Kathleen M. Coleman; Part
VI. After Apartheid: 16. Bacchus at Kirstenbosch: reflections of a play
director Roy Sargeant; 17. The reception of the Electra myth in Yaël
Farber's Molora Elke Steinmeyer; 18. Classical heritage? By the way of an
afterword Grant Parker.
1. The Azanian Muse: classicism in unexpected places Grant Parker; Part I.
Conceiving Empire: 2. 'Poetry in pidgin': notes on the persistence of
classicism in the architecture of Johannesburg Federico Freschi; 3. Cecil
John Rhodes, the classics, and imperialism John Hilton; 4. The
'Mediterranean' Cape: reconstructing an ethos Peter Merrington; Part II.
Conceiving the Nation: 5. 'Copy nothing': classical ideals and Afrikaner
ideologies at the Voortrekker Monument Elizabeth Rankin and Rolf Michael
Schneider; 6. Greeks, Romans, and Volks-education in the Afrikaner
Kinderensiklopedie Philip R. Bosman; Part III. Law, Virtue and
Truth-Telling: 7. A competing discourse on empire Jonathan Allen; 8. After
Cicero: legal thought from antiquity to the New Constitution Deon H. van
Zyl; Part IV. Cultures of Collecting: 9. Museum space and displacement:
collecting classical antiquities in South Africa Samantha Masters; 10.
Antique casts for a colonial gallery: the Beit bequest of classical
statuary to Cape Town Anna Tietze; 11. Cecil Rhodes as a reader of the
classics: the Groote Schuur collection David Wardle; Part V. Boundary
Crossers: 12. 'You are people like these Romans were!': D. D. T. Jabavu of
Fort Hare Jo-Marie Claassen; 13. Benjamin Farrington and the science of the
swerve John Atkinson; 14. Athens and apartheid: Mary Renault and classics
in South Africa Nikolai Endres; 15. Antiquity's undertone: classical
resonances in the poetry of Douglas Livingstone Kathleen M. Coleman; Part
VI. After Apartheid: 16. Bacchus at Kirstenbosch: reflections of a play
director Roy Sargeant; 17. The reception of the Electra myth in Yaël
Farber's Molora Elke Steinmeyer; 18. Classical heritage? By the way of an
afterword Grant Parker.
Conceiving Empire: 2. 'Poetry in pidgin': notes on the persistence of
classicism in the architecture of Johannesburg Federico Freschi; 3. Cecil
John Rhodes, the classics, and imperialism John Hilton; 4. The
'Mediterranean' Cape: reconstructing an ethos Peter Merrington; Part II.
Conceiving the Nation: 5. 'Copy nothing': classical ideals and Afrikaner
ideologies at the Voortrekker Monument Elizabeth Rankin and Rolf Michael
Schneider; 6. Greeks, Romans, and Volks-education in the Afrikaner
Kinderensiklopedie Philip R. Bosman; Part III. Law, Virtue and
Truth-Telling: 7. A competing discourse on empire Jonathan Allen; 8. After
Cicero: legal thought from antiquity to the New Constitution Deon H. van
Zyl; Part IV. Cultures of Collecting: 9. Museum space and displacement:
collecting classical antiquities in South Africa Samantha Masters; 10.
Antique casts for a colonial gallery: the Beit bequest of classical
statuary to Cape Town Anna Tietze; 11. Cecil Rhodes as a reader of the
classics: the Groote Schuur collection David Wardle; Part V. Boundary
Crossers: 12. 'You are people like these Romans were!': D. D. T. Jabavu of
Fort Hare Jo-Marie Claassen; 13. Benjamin Farrington and the science of the
swerve John Atkinson; 14. Athens and apartheid: Mary Renault and classics
in South Africa Nikolai Endres; 15. Antiquity's undertone: classical
resonances in the poetry of Douglas Livingstone Kathleen M. Coleman; Part
VI. After Apartheid: 16. Bacchus at Kirstenbosch: reflections of a play
director Roy Sargeant; 17. The reception of the Electra myth in Yaël
Farber's Molora Elke Steinmeyer; 18. Classical heritage? By the way of an
afterword Grant Parker.







