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We cannot properly understand history without a full appreciation of the spaces through which its actors moved, whether in the home or in the public sphere, and the ways in which they thought about and represented the spaces of their worlds. In this book Michael Scott employs the full range of literary, epigraphic and archaeological evidence in order to demonstrate the many different ways in which spatial analysis can illuminate our understanding of Greek and Roman society and the ways in which these societies thought of, and interacted with, the spaces they occupied and created. Through a series of innovative case studies of texts, physical spaces and cultural constructs, ranging geographically across North Africa, Greece and Roman Italy, as well as an up-to-date introduction on spatial scholarship, this book provides an ideal starting point for students and non-specialists.
Michael Scott is Fellow and Senior Dean at Blackfriars Hall Oxford. He is the author of books on Shakespeare, Elizabethan / Jacobean and Twentieth Century Theatre, including 'John's Marston's Plays: Theme, Structure and Performance'; 'Renaissance Drama and a Modern Audience'; 'Shakespeare and the Modern Dramatist'; 'Shakespeare's Tragedies: All that Matters'; 'Shakespeare's Comedies: All that Matters'; 'Shakespeare: A Complete Introduction'. He was founding and general editor of 'The Text and Performance' series and of 'The Critics Debate' series. He is also co-editor of the 'Casebook on Harold Pinter: The Birthday Party, The Caretaker, The Homecoming'. With Deborah Cartmell, he co-edited 'Talking Shakespeare: Shakespeare into the Millennium'. He was on the editorial board, which relaunched 'Critical Survey' for O.U.P. He has lectured on Shakespeare in many countries around the world including India, China, U.S.A. as well as in the U.K., where he has given public lectures for the R.S.C. and the National Theatre. He also writes fiction under the name of Michael Kerr Scott.
(c) Perry Hagopian and Jill Paganelli