Space, Place and Dramatherapy
International Perspectives
Herausgeber: Sweeney, Eliza
Space, Place and Dramatherapy
International Perspectives
Herausgeber: Sweeney, Eliza
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Space, Place and Dramatherapy: International Perspectives provides radical, critical and practical insights into the relevance and significance of space and place in dramatherapy practice.
Andere Kunden interessierten sich auch für
Space, Place and Dramatherapy149,99 €
Phil JonesDrama as Therapy Volume 148,99 €
Dramatherapy and Destructiveness64,99 €
Sue JenningsThe Handbook of Dramatherapy39,99 €
Dramatherapy and Learning Disabilities34,99 €
Ditty DokterIntercultural Dramatherapy34,99 €
Phil JonesThe Arts Therapies37,99 €-
-
-
Space, Place and Dramatherapy: International Perspectives provides radical, critical and practical insights into the relevance and significance of space and place in dramatherapy practice.
Produktdetails
- Produktdetails
- Routledge Research in Creative Arts and Expressive Therapies
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 212
- Erscheinungstermin: 6. Mai 2025
- Englisch
- Abmessung: 234mm x 156mm x 12mm
- Gewicht: 328g
- ISBN-13: 9781032172347
- ISBN-10: 1032172347
- Artikelnr.: 73731403
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Routledge Research in Creative Arts and Expressive Therapies
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 212
- Erscheinungstermin: 6. Mai 2025
- Englisch
- Abmessung: 234mm x 156mm x 12mm
- Gewicht: 328g
- ISBN-13: 9781032172347
- ISBN-10: 1032172347
- Artikelnr.: 73731403
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Eliza Sweeney is a lecturer at the University of Caen, France, and the University of Melbourne, Australia, in art therapy. She is a dramatherapist, scenographer, artist and PhD researcher at the University of Northumbria.
Foreword. Preface. Prelude. The Obviousness of Space of Anything But. Part
1: The Built Environment and Scenography in Dramatherapy. Chapter 1:
Teachings from Echo. Chapter 2: How Hut-Making in Dramatherapy Created a
Therapeutic Play Space. Chapter 3: Space Plays a Leading Role: The
Therapeutic Power of the Built Environment and Co-Design Processes in
Dramatherapy. Chapter 4: Neutral Mask and Embodied Dreamwork, Spaces of
Containment. Part 2: Education and Play Space in Dramatherapy. Chapter 5:
Learning and Therapeutic Spaces in Dramatherapy and Education. Chapter 6:
Connecting Spaces: Playing to Relate. Chapter 7: Essential Factors Both
Practical and Imaginal for Defining the Dramatherapy Play Space in Special
Education. Part 3: Ritual, Intersubjective and Spiritual Space. Chapter 8:
The Fullness of Emptiness. The Significance of Space and the Usefulness of
the Concepts of Shunya (The Void/Empty Space), Akasha or Vyoman (Open
Vastness), Kha (The Enclosed Space) in Hinduism and Buddhism for
Dramatherapy Practice Chapter 9: 'Clear the Space. Claim the Space.
Sanctify the Space'. Intersubjectivity and Spirituality in Dramatherapy
According to Roger Grainger. Chapter 10: Liminality and ritual in
Dramatherapy - The Intersubjective Space. Chapter 11: Preparing the Ritual
Space: The Transition from Everyday Reality to Dramatic Reality. Postlude.
Future Spaces of Dramatherapy
1: The Built Environment and Scenography in Dramatherapy. Chapter 1:
Teachings from Echo. Chapter 2: How Hut-Making in Dramatherapy Created a
Therapeutic Play Space. Chapter 3: Space Plays a Leading Role: The
Therapeutic Power of the Built Environment and Co-Design Processes in
Dramatherapy. Chapter 4: Neutral Mask and Embodied Dreamwork, Spaces of
Containment. Part 2: Education and Play Space in Dramatherapy. Chapter 5:
Learning and Therapeutic Spaces in Dramatherapy and Education. Chapter 6:
Connecting Spaces: Playing to Relate. Chapter 7: Essential Factors Both
Practical and Imaginal for Defining the Dramatherapy Play Space in Special
Education. Part 3: Ritual, Intersubjective and Spiritual Space. Chapter 8:
The Fullness of Emptiness. The Significance of Space and the Usefulness of
the Concepts of Shunya (The Void/Empty Space), Akasha or Vyoman (Open
Vastness), Kha (The Enclosed Space) in Hinduism and Buddhism for
Dramatherapy Practice Chapter 9: 'Clear the Space. Claim the Space.
Sanctify the Space'. Intersubjectivity and Spirituality in Dramatherapy
According to Roger Grainger. Chapter 10: Liminality and ritual in
Dramatherapy - The Intersubjective Space. Chapter 11: Preparing the Ritual
Space: The Transition from Everyday Reality to Dramatic Reality. Postlude.
Future Spaces of Dramatherapy
Foreword. Preface. Prelude. The Obviousness of Space of Anything But. Part
1: The Built Environment and Scenography in Dramatherapy. Chapter 1:
Teachings from Echo. Chapter 2: How Hut-Making in Dramatherapy Created a
Therapeutic Play Space. Chapter 3: Space Plays a Leading Role: The
Therapeutic Power of the Built Environment and Co-Design Processes in
Dramatherapy. Chapter 4: Neutral Mask and Embodied Dreamwork, Spaces of
Containment. Part 2: Education and Play Space in Dramatherapy. Chapter 5:
Learning and Therapeutic Spaces in Dramatherapy and Education. Chapter 6:
Connecting Spaces: Playing to Relate. Chapter 7: Essential Factors Both
Practical and Imaginal for Defining the Dramatherapy Play Space in Special
Education. Part 3: Ritual, Intersubjective and Spiritual Space. Chapter 8:
The Fullness of Emptiness. The Significance of Space and the Usefulness of
the Concepts of Shunya (The Void/Empty Space), Akasha or Vyoman (Open
Vastness), Kha (The Enclosed Space) in Hinduism and Buddhism for
Dramatherapy Practice Chapter 9: 'Clear the Space. Claim the Space.
Sanctify the Space'. Intersubjectivity and Spirituality in Dramatherapy
According to Roger Grainger. Chapter 10: Liminality and ritual in
Dramatherapy - The Intersubjective Space. Chapter 11: Preparing the Ritual
Space: The Transition from Everyday Reality to Dramatic Reality. Postlude.
Future Spaces of Dramatherapy
1: The Built Environment and Scenography in Dramatherapy. Chapter 1:
Teachings from Echo. Chapter 2: How Hut-Making in Dramatherapy Created a
Therapeutic Play Space. Chapter 3: Space Plays a Leading Role: The
Therapeutic Power of the Built Environment and Co-Design Processes in
Dramatherapy. Chapter 4: Neutral Mask and Embodied Dreamwork, Spaces of
Containment. Part 2: Education and Play Space in Dramatherapy. Chapter 5:
Learning and Therapeutic Spaces in Dramatherapy and Education. Chapter 6:
Connecting Spaces: Playing to Relate. Chapter 7: Essential Factors Both
Practical and Imaginal for Defining the Dramatherapy Play Space in Special
Education. Part 3: Ritual, Intersubjective and Spiritual Space. Chapter 8:
The Fullness of Emptiness. The Significance of Space and the Usefulness of
the Concepts of Shunya (The Void/Empty Space), Akasha or Vyoman (Open
Vastness), Kha (The Enclosed Space) in Hinduism and Buddhism for
Dramatherapy Practice Chapter 9: 'Clear the Space. Claim the Space.
Sanctify the Space'. Intersubjectivity and Spirituality in Dramatherapy
According to Roger Grainger. Chapter 10: Liminality and ritual in
Dramatherapy - The Intersubjective Space. Chapter 11: Preparing the Ritual
Space: The Transition from Everyday Reality to Dramatic Reality. Postlude.
Future Spaces of Dramatherapy







