Addresses not just film (already much studied) but also TV series (more popular in Spain but unknown to outsiders) Has chapter on self-fashioning of Spain's best known auteur, Pedro Almodóvar, a new approach to an acclaimed director Deals with audiovisual works in Catalan as well as Spanish Offers an insider view of the film industry, based on access to press screenings inaccessible to other academics
Addresses not just film (already much studied) but also TV series (more popular in Spain but unknown to outsiders) Has chapter on self-fashioning of Spain's best known auteur, Pedro Almodóvar, a new approach to an acclaimed director Deals with audiovisual works in Catalan as well as Spanish Offers an insider view of the film industry, based on access to press screenings inaccessible to other academics
Paul Julian Smith is distinguished professor at the Graduate Center, City University of New York. He is the author of nineteen books, including Mexican Screen Fiction: Between Cinema and Television, Amores Perros, and Desire Unlimited: The Cinema of Pedro Almodóvar. He was a juror at the Morelia and San Sebastián International Film Festivals and is a columnist at Film Quarterly.
Inhaltsangabe
List of Illustrations Acknowledgements Introduction: Film, Television, Transmedia PART I: FILM Chapter 1. Spanish Cinema of the 1980s Chapter 2. Madrid de Cine: Spanish Film Screenings Chapter 3. Almodóvar's Self-fashioning: The Economics and Aesthetics of Post-Auteurism PART II: TELEVISION Chapter 4. Media Migration and Cultural Proximity: A Specimen Season of Television Drama Chapter 5. LGBT TV Catalonia Chapter 6. Televisual Properties: The Construction Bubble in Three TV Series PART III: (RE)TURN TO TRANSMEDIA Chapter 7. Towards Transmedia: Past and Present of Cinema and Television in Spain Chapter 8. A New Paradigm for the Spanish Audiovisual Sector?: Popular Cinema/Quality Television Chapter 9. Crisis Fictions: Novel, Cinema, TV Conclusion: The Audiovisual Field in Contemporary Spain Bibliography Index
List of Illustrations Acknowledgements Introduction: Film, Television, Transmedia PART I: FILM Chapter 1. Spanish Cinema of the 1980s Chapter 2. Madrid de Cine: Spanish Film Screenings Chapter 3. Almodóvar's Self-fashioning: The Economics and Aesthetics of Post-Auteurism PART II: TELEVISION Chapter 4. Media Migration and Cultural Proximity: A Specimen Season of Television Drama Chapter 5. LGBT TV Catalonia Chapter 6. Televisual Properties: The Construction Bubble in Three TV Series PART III: (RE)TURN TO TRANSMEDIA Chapter 7. Towards Transmedia: Past and Present of Cinema and Television in Spain Chapter 8. A New Paradigm for the Spanish Audiovisual Sector?: Popular Cinema/Quality Television Chapter 9. Crisis Fictions: Novel, Cinema, TV Conclusion: The Audiovisual Field in Contemporary Spain Bibliography Index
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