Spinoza and the Sign - Vinciguerra, Lorenzo
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Lorenzo Vinciguerra understands Spinoza's non-dualist ontology as a semiotic process of signs interpreted in a pragmatist sense. He provides a genuine understanding of Spinoza's monism as neither materialistic nor idealistic. This first translation of Vinciguerra's work into English gives readers the opportunity to better understand the connection between Spinoza's Ethics and Theologico-Political Treatise from a common perspective on the imagination. This provides the possibility to rethink imagination in a new way: as a cosmic and immanent semiosis including all bodies in nature as modes of a unique substance.…mehr

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Produktbeschreibung
Lorenzo Vinciguerra understands Spinoza's non-dualist ontology as a semiotic process of signs interpreted in a pragmatist sense. He provides a genuine understanding of Spinoza's monism as neither materialistic nor idealistic. This first translation of Vinciguerra's work into English gives readers the opportunity to better understand the connection between Spinoza's Ethics and Theologico-Political Treatise from a common perspective on the imagination. This provides the possibility to rethink imagination in a new way: as a cosmic and immanent semiosis including all bodies in nature as modes of a unique substance.
Autorenporträt
Lorenzo Vinciguerra is Professor of Moral Philosophy at the University of Bologna, Professor of Aesthetics at the University of Amiens and director of Sive Natura. International Center for Spinozan Studies (ICSS). He is the director of Sive Natura. International Center for Spinozan Studies (ICSS). He has written several books on Spinoza which have been published and translated into different languages: Spinoza (Carocci, Rome 2015; La semiotica di Spinoza (ETS, Pisa 2012), Qu l'avenir pour Spinoza? Enquêtes sur les spinozismes à venir (Kimé, Paris 2001) and with Pierre-François Moreau he edited Spinoza et les arts (L'Harmattan, Paris, 2020). His interests move through the history of Spinozism, pragmatism, ethics, aesthetics and the philosophy of art.