The "Modern Literatures in Perspective" series aims to help the reader study texts in isolation and in context by selecting the most representative reactions to the texts, from their first appearance, to date. The historical and cultural context in which each text was produced is also outlined.
The "Modern Literatures in Perspective" series aims to help the reader study texts in isolation and in context by selecting the most representative reactions to the texts, from their first appearance, to date. The historical and cultural context in which each text was produced is also outlined.
Roger Pearson is Professor of Frenchat the University of Oxford and a Fellow of The Queen's College, Oxford He is a Fellow of the British Academy and Officier dans l'Ordre des Palmes Académiques
Inhaltsangabe
Introduction 1. Letters to a friend 2. The Red and the Black topicality and realism, plausibility and representation 3.The Charterhouse of Parma mirror or myth?, psychoanalysis and story telling; perspectives Part 1: Nineteenth century views 4. 1831 Balzac's response to The Red and the Black 5. 1832 from Stendhal's own draft review of The Red and the Black 6. 1840 from Balzac's review of The Charterhouse of Parma 7. 1854 Sainte Beuve on The Red and the Black 8. 1864 Hippolyte Taine on characterization and style 9. 1880 Emile Zola on Stendhal the psychologist 10. 1882 Paul Bourget on Standhal and The Red and the Black 11. 1892 Emile Faguet on The Red and the Black and The Charterhouse of Parma Part 2: Modern readings 12. Realism Erich Auerbach on The Red and the Black, Georges Blin on realism and point of view 13. Thematic criticism Jean Pierre Richard on Stendhal's imaginary universe 14. Existentialism and Marxism Victor Brombert on freedom in The Charterhouse of Parma, Pierre Barberis on politics in The Charterhouse of Parma 15. Structuralism and language Shoshana Felman on madness and intoxication, Michel Crouzet on language and silence 16. Psychoanalysis and narratology Roland Barthes on The Charterhouse of Parma, Peter Brooks on The Red and the Black 17. Feminism and gender criticism Carol Mossman on The Red and the Black 18. Readers and representation Ann Jefferson on reading The Red and the Black, Christopher Prendergast on the ethics of verisimilitude.
Introduction 1. Letters to a friend 2. The Red and the Black topicality and realism, plausibility and representation 3.The Charterhouse of Parma mirror or myth?, psychoanalysis and story telling; perspectives Part 1: Nineteenth century views 4. 1831 Balzac's response to The Red and the Black 5. 1832 from Stendhal's own draft review of The Red and the Black 6. 1840 from Balzac's review of The Charterhouse of Parma 7. 1854 Sainte Beuve on The Red and the Black 8. 1864 Hippolyte Taine on characterization and style 9. 1880 Emile Zola on Stendhal the psychologist 10. 1882 Paul Bourget on Standhal and The Red and the Black 11. 1892 Emile Faguet on The Red and the Black and The Charterhouse of Parma Part 2: Modern readings 12. Realism Erich Auerbach on The Red and the Black, Georges Blin on realism and point of view 13. Thematic criticism Jean Pierre Richard on Stendhal's imaginary universe 14. Existentialism and Marxism Victor Brombert on freedom in The Charterhouse of Parma, Pierre Barberis on politics in The Charterhouse of Parma 15. Structuralism and language Shoshana Felman on madness and intoxication, Michel Crouzet on language and silence 16. Psychoanalysis and narratology Roland Barthes on The Charterhouse of Parma, Peter Brooks on The Red and the Black 17. Feminism and gender criticism Carol Mossman on The Red and the Black 18. Readers and representation Ann Jefferson on reading The Red and the Black, Christopher Prendergast on the ethics of verisimilitude.
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