This book analyzes the 500 top-grossing films of the last 20 years to show how speakers of traditionally stigmatized dialects are represented, underrepresented, misrepresented, and mocked. Ultimately, the author demonstrates how Hollywood reinforces long-standing negative beliefs about the languages of marginalized communities.
This book analyzes the 500 top-grossing films of the last 20 years to show how speakers of traditionally stigmatized dialects are represented, underrepresented, misrepresented, and mocked. Ultimately, the author demonstrates how Hollywood reinforces long-standing negative beliefs about the languages of marginalized communities.
Lindsey Clouse is instructor of English at Western Dakota Technical College and Black Hills State University in Rapid City, South Dakota.
Inhaltsangabe
Contents List of Table About the Author Acknowledgements Chapter 1: Introduction: "You know something, you're smart, if you would just deign to speak English" Chapter 2: "She pretty. And she talk good too": Black English and Its Speakers Chapter 3: "You ain't from around here, are you?": White Southern U.S. English Chapter 4: "You need to work on that accent, Pablo": Spanish, Spanish-Accented English, and Spanish-Influenced English Chapter 5: "It's like whatever": Gendered Speech Patterns and Mock White Girl Chapter 6: "We ain't come this far": Conclusions Bibliography Appendix A: List of Films by Estimated Number of Tickets Sold Appendix B: Suggestions for Further Reading
Contents List of Table About the Author Acknowledgements Chapter 1: Introduction: "You know something, you're smart, if you would just deign to speak English" Chapter 2: "She pretty. And she talk good too": Black English and Its Speakers Chapter 3: "You ain't from around here, are you?": White Southern U.S. English Chapter 4: "You need to work on that accent, Pablo": Spanish, Spanish-Accented English, and Spanish-Influenced English Chapter 5: "It's like whatever": Gendered Speech Patterns and Mock White Girl Chapter 6: "We ain't come this far": Conclusions Bibliography Appendix A: List of Films by Estimated Number of Tickets Sold Appendix B: Suggestions for Further Reading
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