Ian Christie is a film historian and curator, currently Professor of Film and Media History at Birkbeck, University of London. He is a Fellow of the British Academy and has been a visiting professor and fellow at universities in Chicago, Tampa, Stockholm, Canberra, Paris and Olomouc, and at Gresham College in London 2017-21, as well as Slade Professor of Fine Art at Cambridge University in 2006. He has written and edited books on Powell and Pressburger, Russian cinema, Martin Scorsese and Terry Gilliam; and contributed to many exhibitions Annie van den Oever is a Professor of Film at the University of Groningen and a Senior Research Associate at the University of Johannesburg (since March 2024). Recent books: Doing Experimental Media Archaeology. Theory(De Gruyter, 2022, with Andreas Fickers); and Visual Media, Distortions, and the Grotesque as a Dominant Format Today (AUP 2024, forthcoming).
Inhaltsangabe
Screen Narrative in the Digital Era Ian Christe and Annie van den Oever, PART I Theory in Contemporary Contexts: Reassessing Key Questions Stories and Storytelling in the Era of Graphic Narrative Jan Baetens Rediscovering Iconographic Storytelling Vincent Amiel Wallowing in Dissonance. The Attractiveness of Impossible Puzzle Films Miklós Kiss and Steven Willemsen Storification; or, What Do We Want Psychology and Physiology to Tell Us About Stories? Ian Christie Transmedia Storytelling. New Practices and Audiences Melanie Schiller, PART II History and Analyses The Endless Endings of Michelangelo Antonioni's Films José Moure The Film that Dreams. About David Lynch's TWIN PEAKS Season 3 Dominique Chateau Spoilers, Twists and Dragons. Popular Narrative After GAME OF THRONES Sandra Laugier, PART III Discussions Storytelling and Mainstream Television Today John Ellis and Annie van den Oever The Single Shot, Narration and Creativity in the Space of Everyday Communication Roger Odin, PART IV Practicalities Rewriting Proust. Working with Chantal Akerman on LA CAPTIVE: A Conversation Eric de Kuyper and Annie van den Oever Introduction to DICKENSIAN: an Intertextual Universe? Ian Christie The Lives of the Characters in DICKENSIAN Luke McKernan Music Structuring Narrative. A Dialogue Robert Ziegler and Ian Christie, Notes on Contributors, Index of Names, Index of Film Titles.
Screen Narrative in the Digital Era Ian Christe and Annie van den Oever, PART I Theory in Contemporary Contexts: Reassessing Key Questions Stories and Storytelling in the Era of Graphic Narrative Jan Baetens Rediscovering Iconographic Storytelling Vincent Amiel Wallowing in Dissonance. The Attractiveness of Impossible Puzzle Films Miklós Kiss and Steven Willemsen Storification; or, What Do We Want Psychology and Physiology to Tell Us About Stories? Ian Christie Transmedia Storytelling. New Practices and Audiences Melanie Schiller, PART II History and Analyses The Endless Endings of Michelangelo Antonioni's Films José Moure The Film that Dreams. About David Lynch's TWIN PEAKS Season 3 Dominique Chateau Spoilers, Twists and Dragons. Popular Narrative After GAME OF THRONES Sandra Laugier, PART III Discussions Storytelling and Mainstream Television Today John Ellis and Annie van den Oever The Single Shot, Narration and Creativity in the Space of Everyday Communication Roger Odin, PART IV Practicalities Rewriting Proust. Working with Chantal Akerman on LA CAPTIVE: A Conversation Eric de Kuyper and Annie van den Oever Introduction to DICKENSIAN: an Intertextual Universe? Ian Christie The Lives of the Characters in DICKENSIAN Luke McKernan Music Structuring Narrative. A Dialogue Robert Ziegler and Ian Christie, Notes on Contributors, Index of Names, Index of Film Titles.
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