What do we consider horror, and why? And how does this relate to the daily horrors faced by Black individuals? This zine explores the rich artistic and intellectual territory of Black horror--both how racial stereotypes have been built into the cultural foundation of the horror genre, as well as how Black artists have creatively wielded genre tropes to convey complex ideas about Black experience. Vampires, zombies, Grace Jones, Jordan Peele, Frankenstein, and beyond are interpreted through a Black queer feminist lens, offering insights and strategies for consuming media with a savvy critical eye.…mehr
What do we consider horror, and why? And how does this relate to the daily horrors faced by Black individuals? This zine explores the rich artistic and intellectual territory of Black horror--both how racial stereotypes have been built into the cultural foundation of the horror genre, as well as how Black artists have creatively wielded genre tropes to convey complex ideas about Black experience. Vampires, zombies, Grace Jones, Jordan Peele, Frankenstein, and beyond are interpreted through a Black queer feminist lens, offering insights and strategies for consuming media with a savvy critical eye.
Sunni D. Jacocks (they/he) is a Black, queer artist, educator, and feral storyteller. They received their Master of Fine Arts in Fiction writing with a minor in Gender & Sexuality at New Mexico State University, an experience that helped transform them into an unapologetic facilitator and activist. An anxious, fragile, sweet thing, he is dedicated to providing a safe place to explore kink, trauma, desire, and big emotions in all the work they nourish and spawn. He has been published in notable works such as Womanly Magazine, The Best Lesbian Erotica of the Year, v.7, edited by Sinclair Sexsmith, It Takes Two: Couples Erotica, edited by Rachel Kramer Bussel, Mentalrealness Mag, Bleeding Thunder, Fruit Queer Literary Journal, and other publications.
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