Audiovisual content has transformed significantly with technological advancements and the rise of new media. In addition to revitalizing older works by making them accessible to a broader audience, streaming platforms also create exclusive original content designed specifically for online consumption. This is especially evident in horror films and television; new methods of narration and storytelling have enhanced the genre, and streaming has made it more widely available than before. This collection of essays examines audiovisual horror's adaptation to the features and audience of the digital…mehr
Audiovisual content has transformed significantly with technological advancements and the rise of new media. In addition to revitalizing older works by making them accessible to a broader audience, streaming platforms also create exclusive original content designed specifically for online consumption. This is especially evident in horror films and television; new methods of narration and storytelling have enhanced the genre, and streaming has made it more widely available than before. This collection of essays examines audiovisual horror's adaptation to the features and audience of the digital era. The essays focus on the various effects of new media in the audiovisual landscape with regard to institutions, audiences, and content. The horror genre has undergone a rapid evolution and re-invention as technology has shaped both the narratives and the ways in which consumers interact with on-screen content.
Sotiris Petridis is an adjunct professor at Hellenic Open University, Greece. His research interests are about film and television genres, audiovisual horror, screenwriting theory and practice, viral marketing, and the new ways of film and television promotion and has written academic books and articles on cinema and audiovisual narrative. He is a member of the European Film Academy and the Greek Film Academy.
Inhaltsangabe
Table of Contents Introduction Sotiris Petridis Part 1: Audiovisual Horror and Its Audience in the Digital The Horror Genre, Its Brand Community, and the Emergence of a Queer Icon Sotiris Petridis Beyond the Boundaries of Jump Scare: OTT Platforms and the Discourse of Elevated Horror Sony Jalarajan Raj and Adith K. Suresh Monstrous Morality: Making Unreal Villains Within Reality Neelima Mundayur From Page to Screen: Junji It¿ Collection and Affect Ivan Jaramillo Part 2: Forms of Narration and Narrative Representations Containing the Uncanny: A Babysitter's Guide to Monster Hunting Christina Adamou The Hauntings on Netflix: Hill House and Bly Manor as the Forms of the Serial Anthology in the Binge-Watching Anna Rufer Biìlaì and Klára Feikusová On Black Summer and Embodied Spectatorship Fernando Gabriel Pagnoni Berns The Many Faces of Thomas Hewitt: A Streaming Approach of The Texas Chainsaw Massacre Giuseppe Previtali About the Contributors Index
Table of Contents Introduction Sotiris Petridis Part 1: Audiovisual Horror and Its Audience in the Digital The Horror Genre, Its Brand Community, and the Emergence of a Queer Icon Sotiris Petridis Beyond the Boundaries of Jump Scare: OTT Platforms and the Discourse of Elevated Horror Sony Jalarajan Raj and Adith K. Suresh Monstrous Morality: Making Unreal Villains Within Reality Neelima Mundayur From Page to Screen: Junji It¿ Collection and Affect Ivan Jaramillo Part 2: Forms of Narration and Narrative Representations Containing the Uncanny: A Babysitter's Guide to Monster Hunting Christina Adamou The Hauntings on Netflix: Hill House and Bly Manor as the Forms of the Serial Anthology in the Binge-Watching Anna Rufer Biìlaì and Klára Feikusová On Black Summer and Embodied Spectatorship Fernando Gabriel Pagnoni Berns The Many Faces of Thomas Hewitt: A Streaming Approach of The Texas Chainsaw Massacre Giuseppe Previtali About the Contributors Index
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