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A NEW KINETIC ART: This book presents a new approach to the conceptual basis of all visual art, and while it is about making movies -- the catch-all for video, film, computer graphics and anything else that may appear to move -- the thrust of this book is a radical redefinition of all visual media, including traditional standards like painting. The framework these notes propose is a way of thinking about visual art that eliminates all former media in favor of a division based on our ability to see movement or change in a work of art. While most movies change and move rapidly, this…mehr

Produktbeschreibung
A NEW KINETIC ART: This book presents a new approach to the conceptual basis of all visual art, and while it is about making movies -- the catch-all for video, film, computer graphics and anything else that may appear to move -- the thrust of this book is a radical redefinition of all visual media, including traditional standards like painting. The framework these notes propose is a way of thinking about visual art that eliminates all former media in favor of a division based on our ability to see movement or change in a work of art. While most movies change and move rapidly, this understanding is equally concerned with the very slow, or apparently immobile. (Revised and Expanded Second Edition.)
Autorenporträt
Michael Betancourt is a critical theorist and research artistconcerned with digital technology and capitalist ideology.His writing considers the social and cultural impacts of AI,Bitcoin, surveillance, and Universal Basic Income (inter alia) asreflections of structural demands implicit in how the EuropeanEnlightenment informs both historical industrial capitalism andcontemporary digital technology. His writing has been translatedinto Chinese, French, German, Greek, Italian, Korean, Persian,Portuguese, and Spanish.His online archive is located at michaelbetancourt.com